Introduction

Being the adventures of Jack the Nosferatu, Lux the Anarch, Táltos Horváth the Dreamspeaker, Adam Gallowglass the Hermetic, Tamsin "Cinder Song, Furious Lament" Hall of the Fianna, Mary the Silver Fang, Jane Slaughter the Mortal, and various other ne'er-do-wells in and about Denver.

Saturday, August 31, 2013

Miss Lola Hawkes

Lola Hawkes
Last week Lola had been away from home, living out of a shoddy motel in downtown Denver.  This had been because of the call of War.  She had gone to be present for the War Moot, and she had stayed to help with the patrols because, as she understood it, the Gauntlet had become shaky and repercussions were being felt across the city from the tragedy at the Spire Sept.  She had participated in patrols, she had walked the streets and watched for trouble.  She had participated in the discovery of a massive flock of carrion spirits that had bled over from the other side, and stood watch while Hector and Keisha had cleansed the area until the spirits were gone from the place, sent back where they belonged.
Last Friday night she had gotten to use her rifle.  Hector had texted her an address and called for back-up, and she had come running.  The battle was glorious.  All involved, including herself, had walked away unscathed, and their victory had been flawless and how they had worked together had been fluid.  It was a good night.
Until she and Hector went back to the motel room.  Until they talked about what they had, what they were supposed to have, their duties to the Nation, and the loss of his pack.  The night had been a full one, and the next morning Lola had packed up the clothes and hygiene kit she'd brought into the city and left.
They'd talked, and she decided that she would return to The Homestead.  She hated the city, it made her skin feel grimey all of the time and it made her feel cramped and trapped.  She was worried deep in her heart for the security of Forgotten Questions, as she was quite convinced that everything that was happening at Cold Crescent was intended to be a diversion.  She believed that the Spiral Pack actually wanted Forgotten Questions, because that was where the real Caern was after all.
This past week Lola has been on her own, back in her routine, recovering from the time in the city and stretching her legs and breathing the clean air again.  She patroled the lands more diligently than she has in the recent months because of the heightened danger level.  Today she was out on foot, dressed in a pair of jean shorts that rode high on long, strong legs and hiking boots that protected her ankles.  She had on a tank top with an opened up plaid long-sleeve shirt on overtop (the plaid in hues of blue and yellow).  The sleeves of the overshirt were unbuttoned, the ends of the front of the shirt tied together at the bottom rather in place of buttons.
She wore a baseball cap, a faded old beige thing, with her hair in a ponytail and pulled out the back.  It helped to keep the sun out of her eyes.  She couldn't just carry her rifle around because then the Rangers would get pissy at her, but you could rest assured that the pistol for which she had a legal concealed carry permit was kept in its holster at her left side, under the overshirt.
Earlier in the day she had encountered her favorite Skald, Eddie, and they split the lunch she had packed in her backpack.  After about two hours of hanging together they parted ways.  Now, at about seven thirty in the evening, Lola stood at the top of some short, stubby hill with sparse grass and plenty of dust.  She was looking out over the Bawn, to the West, watching the sun's location in the sky and gaguing how long it will take for it to set.
This was an image that was as much a part of the landscape here as the coyotes howl was to the night air.  A Hawkes has been standing sentry for close to as long as the Sept has been here.
Tamsin
Tamsin Hall. Cinder Song. Furious Lament. Tamsin: hadn't been around, but she'd already heard some of what went down at the Moot of Two Septs. Her response had been wide-eyed shock. And that shock'd just compounded, as other tales came fast and strong: of her tribal mates corruption and so on and so forth. Wasn't gone for that long, but just long enough. And maybe some of the stories she's heard, maybe that's why she has taken herself out've the city and off to Forgotten Questions, talk to even more galliards, touch base with even more tales, and eventually (yeah) track down that elusive Lola Hawkes.
It's not that difficult. There are stones for that; questing ones.
And this isn't like the time at Jackass Hill Park when Tamsin was determined to sneak up on Lola and Hector and bean the latter in the head with her cellphone (that plan did not go well, did it?), and she doesn't hide her approach, doesn't seem to have fog turning the crunch of her footsteps on pebbles and dirt and dust into something that's a whisper or even less, just:
A girl standing sentry over the Bawn, silhouetted by the West, and a girl-who-is-a-wolf-who-is-a-spirit traipsing up a steep incline toward her, questioning:
"Lola?

Lola Hawkes
The call of her own name pulled Lola out of whatever trance she slipped into while watching the land.  Patrols worked in shifts for Lola-- she would walk around the length of the Bawn, or at least the Eastern side of it if nothing more, and periodically she would find places with good vantage points so she could watch the landscape for unfamiliar movement, or things that shouldn't belong.  When she watched so much land all at the same time, it was easy to let your vision slip and focus on the middle distance and to allow your mind to wander.
It's difficult to say where it had landed exactly when she was interrupted, but Lola looked a little surprised without being startled or immediately defensive.  Dark eyes hunted for the source of the call and located Tamsin at the bottom of the hill, working her way up the ridge to join her.
Lola smiled, the expression a genuine but closed-lipped thing, and lifted a hand to wave.
That same hand adjusted the bill of her cap, and when Tamsin was a bit nearer, close enough that she could talk without having to holler, Lola greeted her.
"Tamsin.  Hey."  Eyes raked the landscape behind her, then came back to the Fianna.  "No pack today?"
Tamsin
Tamsin smiles, too. Her smile isn't shy around Lola. Not usually, though there's something shy at the edges, something that wants to shy, something that does not care that Tamsin is a wolf-girl, girl-wolf, does not care that Tamsin is full of rage, a glittering and glistering hollowing-out creature of war, and there is something solemn to the smile too. Tamsin: she can be so serious it's easy to forget that the next moment she'll be cursing worse than a wannabe pre-teen rapper and ready for mischief.
She'd lifted a hand to wave as well as her voice [human gestures are easy; they're echoes] and the hand drops back to the top of her head after a wave; she puts a bit of extra energy into her scramble up, sneakers slipping enough to send a cascade of pebbles running downward, and then she lopes until she's at Miss Hawkes' side.
Then she lifts her shoulders riseandfall riseandfall quick and pretends to pant, tongue lolling out. Ends it with another smile, this one more shy but also slyer, like she's going to elbow Lola in the ribs, and then laugh with embarrassment at the silly joke:
"Hey!" Happy. Then more even-keeled: "And naw. I tried to tempt Jack out, but he had some stuff to do, and Hector's being more of a cunt-pimple than usual about 'no interruptions while I read this chapter.' But um, honestly I kind of wanted to just poke around myself a bit anyway and and find you and oh Nora says hello and reminds me to remind you that you are welcome to visit and she gave me something for you too. It's just a picture of Maria she thought you might like." 
"How are you?"
Lola Hawkes
As the Galliard reaches her side, the Uktena that should have been an Ahroun greets her by reaching out and clapping her on the side of her shoulder a couple of times.  Lola's movements were, as always, a strong and confident thing.  In the city she moved stiffly, like she was looking for a fight and on a razor's edge temperamentally.  Here, though, on her land, within the bounds of what she felt to be her territory for how she protected it with her life and the lives of her predecessors, it was different.  She was like a wolf on its turf, self-assured and full of vitality.
Hector was being a wet noodle, Jack was busy as well, so it was just Tamsin tonight.  Lola nodded, accepting this information at face value and not appearing to look thrilled or disappointed by it.
Nora said hello and had a picture of Maria that Tamsin was supposed to share with her.  Lola's dark eyebrows jumped up on her face to show interest.  "Huh!  I'll need to see that.  And get a number to call her at to tell her thank you.  Or I can get one of the Theurges to send a messenger-- whatever's actually gonna reach her."
Tamsin wanted to know how Lola was doing, and she answered that with a shrug and by looking back out on the stretch of Bawn that she was keeping watch over.  "Eh.  I'm okay.  My nerves are frayed from waiting, though.  Hector's supposed to keep me posted on what's being organized within the City as far as attacks and investigations go, so I can lend my help.  I'm waiting for the Spirals to start sniffing around out here, too."  She scowled a little, for a moment, when she griped about:  "The goddamn Rangers won't let me carry my rifle, though, so I'll be a fair bit fucked if they decide to show up when I can only keep my pistol."
Then, she glanced back to the Fianna.  "How about you?  Where've you been?"
Tamsin
Lola claps Tamsin on the side of the shoulder and Tamsin bites the inside of her lip, the right side, this habitual thing, and then goes in for the hug. Because Tamsin, while not a hugger, does hug. Lola should've been an Ahroun. Would've been a better Ahroun than Celduin got, perhaps. Or maybe she'd be less Lola if she'd actually changed. Tamsin doesn't know: she can't think too much about it because whenever she does there's a deep-seeded slow-burn of what if and guilt. Like if she could somehow make it right and give Lola what she got by mistake. Lost cub, never was supposed to Change, was supposed to have a boring, mundane life and all that b.s.
"I can give you a number," she says, and after the hug that was (or the hug that wasn't) she'd sort of locked her knees in order to go up on her tiptoes and reach into her jacket pocket (it gets cold at night and she was expecting to be out late and later), pull out that photograph promised. It's folded, but one of those long ones-- kodak, so taken with actual film not printed out on a computer, probably one hour developed at a drug store. There's penciled writing on the back. Gravely: "It seems poor to bother a spirit when a phone'll do just as well, though then again some of the younger theurges could probably use the practice in deal-making. The first night I arrived at Nora's,"
and look. Tamsin is obviously a galliard. How people react to this depends on the person. Among kinsmen and kinswomen, it is often with a smile and a headshake and an 'oh, Tamsin,' which thankfully she never catches or thinks is condescending. She tells stories in casual conversation because she has to but also because it is who she is.
And this story also gives Lola some of her answers. Where've you been,"at the Sept of the Flooded Birch, there was a fresh rite-passaged Shadow Lord, son of Thunder proud of who he is, just-named Devil's Bargain, so damned proud of the name. He must've been fourteen, fifteen, and perhaps too fresh; he had that too-determined look, you know? The one that says I'll burn out soon unless I figure out what I am doing," and here she grins, because Tamsin is not above some tribal rivalry, though the grin fades:
"So there he was, that first night I arrived, and he said clearly, Don't you get it, Wonder's Fall? I'm a cliath now. You're asking when you should be telling. You're telling when you should be dealing. You want that flood-spirit to well up in Serenity's Limit Swift Justice's faucet next time they turn the tap? You're just being wishy-washy. You've gotta show it who's boss
"Up he goes to that spirit and starts to lay down the law.
"Fine. That's their way; they law-lay-down.
"But you know what he forgets to say? He forgets to say: when they turn the water on. He forgets to say: stop. He forgets to detail just what Serenity's Limit's faucet is: is it at their house? Is it where-ever they're turning the spigot? And this is a flood spirit."
Pause.
Pause.
Pause.
"Next thing you know, Serenity's Limit's apartment is flooding and flooding and they call the landlord and when they can't get ahold of the landlord - one of ours, while they are not - they call the damned police. And the flood spirit's like, welp, can't deliver my message here - oh!
"Oh hey! Serenity's Limit's turning on a faucet now!"
"And then the local Y gets flooded out, too."
"And some muckity muck's bigwig daughter: slips in the water. Breaks her leg. Mundies on the scene before mother's touch can be used so now she's grumpy as Hell, spoiled rotten too: and the moral is? Maybe some of the younger theurges need some practice."
"But phone number, that's still safe."
And now, she holds that picture out.
Lola Hawkes
Of course Lola accepted the hug.  She came across as something of a bruiser at first introduction when meeting new people.  She could be imposing, how she held her shoulders square and strong and how she held her chin high and how her eyes blazed with life.  She was of average height, but always seemed much taller because of how big of a presence she was.
Tamsin met her when she was still a teenager, although on the end of those years rather than smack in the middle of them.  Lola hadn't quite finished growing by that point, though she was close to done.  She had been more surly, faster to boil over with her temper and more sensitive to insult.  A couple of years, the loss of her parents and living truly alone had helped to temper that and grow her into more of an adult.  She was still quite young, in the scheme of things, but Lola Hawkes was now a far more tempered creature.  Accepting her fate helped with that.
So the hug was accepted, returned with strong lean arms partly shrouded in flannel wrapped about Tamsin's arms and behind her back to do so.  When they parted, the Galliard held out a picture and told a story about where she'd been.
The story ended, and Lola was grinning broadly, now with white teeth showing.  She chuckled, but it was a low and quiet thing that manifested more in how her shoulders and chest moved than in actual vocalizations.
"Sounds like he got his ass whupped at the end of the day," she said of the fresh-faced Cliath.  "And like he learned a lesson about being literal and thorough."
The extended picture was accepted and unfolded to be examined.  After a second she would flip it over, read the writing on the back, then return her gaze to the picture itself once more, squinting through the dying light to pick out detail.
Tamsin
"He did. He was told he could not speak to anything that was flesh instead of spirit-stuff 'til the moon was crescent again, then given a long list of tasks to accomplish that involved speaking. Last I saw of Devil's Bargain, he was in an Office Max, looking to buy some notebooks. We'll see what happens to him," and Tamsin shrugs.
The writing says one damned ballsy girl two unlucky suckers 2007 Maria
It's a picture of Maria, yes. But a younger Maria than the Maria who died, a Maria with long hair whipping in the wind- though not whipping, no. Whipped; a torrent around her; a snarl-halo, crouching on the edge of a rock, wearing a poncho and grinning at the camera her eyes alive holding in both hands what looks at first like a weird pale papery pumpkin but is in actuality a hornet's nest and if you look down from there you can see a couple of familiar faces, blurred because they were apparently moving quickly.
Lola Hawkes
The picture draws a fond grin on Lola's face, recognition of the scene and the perfect humor found in all elements of the prank (ha, Hornet's Nest, get it?) striking her a little sentimental.  Lola didn't appear sad, though.  While the news of her sister's demise was still relatively recent, Lola apparently sped through the grieving process because it didn't pain her to see her sister's face the same it had looked when she left The Homestead to go adventuring with her new pack.  She didn't get misty eyed or introspective for the subject.
Lola had plenty of time alone, which gave her enough time to herself to work through the tears, the anger, the frustration, the loss.  She had cried-- oh yes.  She had wailed at the moon because she couldn't howl.  She had gone running across the land until she was too tired to think or feel and could fall asleep dreamless in her bed, because she wasn't able to run on four feet until the dawn broke and sleep where she landed.
She didn't ask for a shoulder to cry on or arms to wrap her up and help her through the process.  That simply wasn't her way.  Lola, for the most part, was a solitary creature, though she certainly welcomed what remained of Celduin whenever they were around.  Tamsin knew just as well as Hector that The Homestead had an open invitation to the pack, and that the door was unlocked for them even if she wasn't home herself.
"That's perfect," Lola said, finally, and folded the picture up in the same fashion it had been when it was delivered.  It was then slipped into the back pocket of snug denim shorts, held there for safe-keeping until she was able to get home and find a place for that picture to be.
She would frame it, certainly.  Probably hang it up in the living room along with a pattern of pictures of family members that have been there for longer than Lola's been alive.  Her thumbs hooked into her belt loops when her hands were free of the picture, and Lola's gaze leveled on Tamsin once more.  When there was nothing else on the table for immediate discussion, you could leave it to the Ahroun-Kin to bring up business instead.
"So, I'm sure you've heard what's happened at the Spire Sept.  Are you gonna be joining Hector to give efforts to them?  I'd assume so.  Things can't be too far from erupting."
Tamsin
Tamsin nods as if of course. As if the question was just a leading question, and no question at all; perhaps it is. To Tamsin, it is not a question of joining Hector; no matter how often she yells at him, or sulks, or challenges his authority, tries to beat him up, he is the alpha, and Tamsin took those lessons she was taught and abides by them as strictly as she can bring herself to abide.
"Yes. From what I understand we have no victory right now, and no glimpse of victory, only a loss of Champions and Guardians, a hole where both should be." Look how easily she says we. They're all a we, to Tamsin.
"What are your thoughts on the whole mess? Were you at that war moot Eric held?"  
Lola Hawkes
"I was," came the answer.  The good humor faded out of Lola's face, although that didn't necessarily mean that her mood in general was declining.  This was business, this was War, and this was exactly what held Lola's interest.  While she would never be able to join her brothers in some battles, she still made every effort to contribute where she could.  She was a killer shot, and between all of the weapons she owned (rifle, shotgun, and pistols were a staple here) it was believed that she could probably lay a full grown Garou to the grave if she ever went batshit and turned on someone.
She could fight beside Garou, has done so in the past, but she wasn't an idiot, and she knew that she had other duties-- specifically, to the land of her family and ensuring that their legacy did not die with her.  She wouldn't go into death traps just yet, and she couldn't go across into the World of Spirits to join in the battles there.  Where she couldn't join, she liked to make up by providing advice and perspective instead.  She was far from quiet at the War Moot, and had provided good food for thought for the Ahrouns and War Packs to take into consideration.
So, of course, when the subject of the turmoil in their land came up, Lola was all business, and her whole heart and mind was thrown into the subject.
After a brief glance about, she gestured to the ground in an invitation for Tamsin to join her, then bent her knees and sat on the ground.  Her hands were on the bare earth behind her, helping hold balance so she could lean back some.  Her feet were square, knees in the air and left comfortably open even though she was wearing shorts.  Out here, who cared about senses of modesty anyways?
"I think Beloved Horror is a force of nature.  I don't think they're just Spirals-- I think they've dappled with something deep and dark and evolved into some Spirit-Spiral abominations.  I think that's why they can't be beat, and why their leader can do shit like stop vans with his bare human-formed hand.
"I think that they're dreadful smart.  I think I don't trust the Cub that we have at Forgotton Questions right now, and I think the newborn they retrieved from that one battle shouldn't be left alone with one of our Kin.  I think it should be disposed of-- it's not worth the risk, and I don't trust it at all.
"I also think that all of the horror they're laying on the City is just a distraction, and soon--" she nodded her head toward the beauty of the landscape in front of them-- "they will come for this, their real goal."
Tamsin
Tamsin doesn't have trouble treating Lola like she'd treat another garou, just one who happens to not Change. Tamsin has trouble, only sometimes, when she is reminded of what it means to be a traditionalist, and what place kinfolk have, and how she should react to them.
"I agree. At least the child should've been sent far, far away, been given a new spiritual name -- if that's even possible. Must be possible. Must be a way," Tamsin says, "to make it truly lost."
"And I wouldn't trust the Cub, but I believe it Just and Necessary to give her this chance."
Tamsin did flop down; not right away, but after a second, while Lola was still talking about Spirit-Spiral abominations, while those words were on her lips. And the flop was a little daintier than you'd expect, smoothing the back of her ratty tat jeans down before she circles loosely her knees with her arms, one leg stretched out a little further than the other so her shoe and ankle are right next to Lola.
"What I wish I knew is the story of the first time the Beloved Horror and Forgotten Questions met."
Lola Hawkes
Lola nodded to what Tamsin had to contribute to the topic.  She agreed that the baby and the Cub were dangerous, but she understood why they weren't killed, why they were given a chance.  Lola understood the reasoning as well, she simply didn't agree that the reasons were strong enough to stand against the weight of consequence that they carried with.
The Fianna's foot and ankle came to rest near to Lola's, and the Kinswoman did nothing to prevent this or adjust afterwards to regain personal space.  Lola has essentially integrated herself into the pack as a respected sort of Little Sister.  She would hang out with them whenever Maria brought them back to visit, to touch base with her family and her Homeland, and during those occasions Lola would talk the night away with Tamsin, get stoned and watch stars with Hector, and wrestle with Corey.  She was comfortable with Celduin, and would do nothing to make them feel otherwise.
"I'll tell you," Lola offered to Tamsin, and followed it with a small side-long grin.  "I'm no Galliard, but I can try.
"Last spring this pack came around the city.  They laid regular attacks on packs and patrols, made the Spire Sept real tight and nervous.  There was twelve of them then, a big sprawling pack more like hyenas than wolves.  They had a thing with disembowling their victims then, too.  I remember stories of intestines decorating trees like Christmastime garland, and how they'd been taunted by some eating hearts like they were apples.
"I've never been clear on why it stopped, though.  I don't remember there being any big grandiose final battle, or anything that resolutely drove them back and stopped the attacks.  They just kinda... petered out one day, I suppose, although that doesn't seem right."
The Kinswoman frowned apologetically.
"That would probably be better found out from someone who was actually there.  I was here, protecting The Homestead.  I didn't go into the city for any of that, and I don't really communicate with anyone there very strongly either.  What I know I learned from the Guardians here at Forgotten Questions."
Tamsin
Tamsin nods: "Exactly so. I don't think the truth of what they are and what they want is necessarily to be found in that tale. But I think the way to the truth might be found there. You never know: it used to be a pack of mosty-Metis, didn't it? I wonder if somewhere down the line there wasn't someone like -- like Champion of Honor. Someone pure -- who walked that Spiral and the Spiral just twisted him or her up into the dark inverse of hating this place. Like: maybe there's a fucked-up twisted-ass homecoming at the heart of their hungry devastation and why it is they are the beloved horror. Or want to be."
A pause, and then this mirror-grin thing, small, touches her eyes, and now she's leaning forward to touch her shoes' toes with her fingertips,
"And for someone who isn't a galliard, the hearts as apples image is pretty tight."
Lola Hawkes
"I don't know...,"  Lola sounded doubtful of Tamsin's theory, and the way her brow creased a little in the middle showed it.
"I can't give you a list of those the City Sept lost, so it's possible that one of them is pulling the strings?  But this feels.... I don't know."  The frown got heavier, and she struggled to put the feeling of dread and certainty (and that certainty made the dread more dreadful) into words and reason.  She managed, or at least came close enough to continue.
"Deeper.  Maybe even older than anything like that.  I mean, this Sept is still a young thing, and the kind of power that we're seeing here?  The kind of deep, infiltrating devestation?  It's gotta be more than just a vendetta.  I'm convinced that Forgotton Questions is the prize, and the rest is just strategy."
The compliment paid to her use of imagry was answered with a half-proud half-bashful grin that spread on Lola's heart shaped face, and she  moved a hand to cup it like she was holding an invisible apple-organ.  "Thanks.  I thought it would be a good touch.
"But it's also true as fuck.  You know how they reappeared here this year, right?  Took some poor Metis bastard and piked him.  Then decorated the parking garage surrounding him with human bodies-- multiple ones-- broken up into parts.  It was gruesome as hell, and one bold goddamn statement for saying 'We're Back!'
"And apparently this cub we're sheltering, she's the one that actually did all of that.  And they think that she can be turned back around."  The Kinswoman snorted skeptically.  "My fuckin' foot, that'll happen.  I bet money that she's going down in whatever Big Battle this comes to."
Tamsin
"I'm not talking about the City Sept," Tamsin says, not insistent, but sure-footed - it isn't certainty; just ease when it comes to calculating different odds. Her eyes are narrowed in contemplation. "But this one. The City Sept sprung from this one, didn't it? Go far enough back, don't both Septs share a history? They share a common enemy because we all share the common enemy. But this specific enemy is, um, well old. And deep. I believe that, too. But what's older and deeper than blood or uncertain inheritances. Maybe there's a question that was forgotten which could undo the whole mess. Maybe we need to figure out the questions we're not asking about what they are."
Tamsin nods, when Lola talks about the more recent skirmish -- a spare smile that does not touch her serious and still-narrowed eyes at her snort.
"Jack was there when the one monster - " she calls them monsters. Because to her that is what they are. " - stopped the van, one-handed. He was there keeping that cub from being took. He was there - " a pause. " - and he died. But Raspberry Sky brought him back."
"People can be brought back," she says, although sadly: "There are true stories of it. There are just," and here, she sighs, "easier stories of those who can't quite shake whatever fucked-up unholy shit they get into their souls."
"But - " intense, simmering: "People can be brought back."
Tamsin pokes Lola's foot. "So don't bet your foot. Or money. Though I wouldn't bet money on her living past a Big Battle. I don't know. Sometimes it seems like the only sure redemption is when death's come around." 
Lola Hawkes
And so Lola learned a story about Jack, the awesome Bone Gnawer guy that drives a motorcycle and had charmed the Alpha so thoroughly that the Wolf was invited into the pack post haste.  Lola knew that he was Wolf-born, and so was quite curious to meet him.  She had a wolf-born cousin or uncle out there on her mother's side, she knew that for sure, but the Hawkes family was one of Duty, and would not leave posts for things like family reunions.  If Lola were to ever meet this relative, it would be due to that Hawkes-related Wolf venturing to Forgotten Questions with a purpose.
She learned that Jack was there that night, when the Spiral had stopped the van with nothing but his hand.  That was something that she would definitely want to talk to him about, to hear his story and ask him questions.  Not only was he there, but he fought hard enough that he died for the cause of his mission.
"What moon was he again?" Philodox, would be the answer.Lola would nod, and the story would continue.  Tamsin advised, using the story of Jack as a device to do so, that Lola allow chance for redemption, because often times Death was what it took to summon it.  When it mattered most.
The two women would talk like this, posing questions both thought provoking and purposeful to one another and sharing thoughts on one anothers' responses.  This summoned up a refreshing sort of release.  It was what made the mind happy and the heart accomplished, to have intellectual discussion-- summoning of thought and idea for Tamsin's Gibbous-moon sake, and purposeful to the events at hand, for the sake of the Warrior Kinswoman.
The sun would set sometime, though, and Lola would stand and dust the rocks and dirt from her shorts and the backs of her legs.  She'd advise that she was going to go home, have dinner, and go to bed.  Tamsin, come with me, she'd invite.  Have dinner and rest.  Be on your way in the morning.

If the offer were accepted, then so it would be.

Salesman from Dogwood

Kragen
God Bless America, sweet America, home of the free, the blessed, and the damned fools. It had been years since Kragen had stepped foot onto American soil, years since he'd drank over priced craft beer at an overly glorified chain store that made itself out to be the height of culture. It had been years since he'd sat around in a fine silk suit he managed to find at the good will cause some poor bastard had lost it all and been forced to sell it for whatever he could.

Kragen Kingsmith loved America, it was like the greatest punchline to the worlds funniest joke.

He was doing all these things, dressed in a grey silk suit the man in his late forties reclined like a rakish king as he drank a beer, a cigarette close at hand along with an old beaten and bent zippo lighter. His hair was askew, muddled and messed but only so much that it made him simply look like he didn't care. The stubble on his face was turning into a goatee which he certainly didn't seem to mind.

Grey eyes surveyed the 16th street mall and its passing herd of human's and a grin cut across his face like a knife had put it there, sarcastic and jagged...mean as hell. The patio seat he had occupied was at the very edge of the bar's seating, but positioned ever so perfectly that getting behind the lean man..was nigh on impossible. 

Flood
Flood is aimed down the long stretch of pedestrian mall, the thoroughfare's streets bustling with groups hopping from bar to bar and the occasional shuttle bus powering slowly and steadily up and down between the heavy foot traffic. He is given a certain birth in every direction probably because of the sureness of his gait and the cold menace his body radiates.

The man is pale as Denver's native yule marble. To the keen observer, someone skilled at dealing with corpses, there are few differences other than the face he's walking down the street between him and those cadavers. His chest does not rise or fall. He does not often blink. When he does it's for effect and usually with the cadence of his words, and right now he's not speaking. There is the slightest olive tint to his pallor, hinting at Mediterranean ancestry muddled in the jade dagger points that are his eyes.
The dead man's demeanor still manages to be open. Not only past life, but larger than it, a cult of personality. One might imagine him making promises and delivering them, playing on the darkest vices and yearnings and addictions, or promising power in a Devil's contract and not making you miss your soul once it has been sold.

He wears a light grey three piece suit in like silk fabric, tailored expertly to encase his pillar of a form, six feet and some few inches on top and all perched on the heels of brown brogue ankleboots. His tie is blue and ties in a tight single knot, raking and pulled loose like the top button of his white dress shirt. A man on the town that cares about style without being stuffy about it and tightening the noose. A man of independent wealth, by the looks, everything bespoke. Even the hat on top of black hair precisely combed in a part and back with an intentional swoop of a ruffle tipping the hat back to the rearmost of his head's crown.

Flood has not yet noticed that kindred spirit with the breath of life still in his lungs. So many similarities, his own smile curling as he takes in humanity in all its forms. It can't be long before Kragen is included in that appreciation. And it can't be long after that before such an interesting specimen is approached for closer analysis. No, it's Denver and Flood looks like he's searching for a place to anchor for the night, not simply pass ships and go about his business.

Kragen
[Corpse alert?]
Dice: 6 d10 TN6 (2, 3, 3, 4, 4, 4) ( fail )

Molly Toombs
Come out with us, Molly, they said. It will be fun, they said.

This was about three hours ago.  Molly had gotten a phone call on speaker, where a woman and two men were on the other end crooning that she needed to put on a dress and come out to the bar with them.  She had resisted initially, but when the trio threatened to string her up by her toes if she spent another Saturday night inside she agreed laughingly.

Then they arrived one of a handful of nightclubs that bounced and thumped with music along 16th Street.  They'd each gotten a drink and settled at a table (never the couches, those things are fucking filthy), and by the time the drinks were consumed Patricia and Devin were pulling Molly out to the dance floor.  She got seperated from them, as so often happens in crowds, and found herself dancing with some latin fellow she'd call cute.  But when the song shifted and she decided she was done the man whose leg had been ratcheted between her thighs for the past three and a half minutes figured the best way to get her number was to bounce an ass cheek in his hand-- just so that he was sure his point got across.

Molly's point got across precisely as well when she shoved him back into the crowd, which was now bouncing up and down because a more popular song had started up with a heavy thump of bass.  Molly went back to the table to find Devin and Frankie, the two men from the phone call.  She told them what happened, they laughed and said she should have gotten his number.  Molly finished Frankie's drink for him and said she was going elsewhere.

In present time, Molly was walking along the bustling 16th Street, aimless and not sure if she was wanting to hit up another bar to cap the night off with a beer or if she just wanted to head straight home and take off her heels.  She was dressed to go out dancing, so of course that meant a short black dress that was immodestly clingy and scooped low in the back in favor of leaving the front more covered.  Her dark auburn hair was piled up on her head with a few licks hanging about her face that had fallen loose.  Her make-up was well done, smokey about the eyes and bright red on the lips.  Her heels were tall, stretching her legs and thinning her figure.  She wasn't drop-dead gorgeous, she wasn't a 'skinny bitch'.  She was just some woman out trolling the town as far as anybody who looked at her could care.
The thing that made her stand out was simply that she wasn't surrounded by other girls in clubwear.  Most of the time when women were dressed in short dresses and hunting for bars they were travelling in a herd.  Molly, though?  She ditched hers, and now as she clacked on heels along the sidewalk with her arms at her sides, expertly alternating between avoiding eye contact with people she walked past and holding gazes challengingly (Come at me, bro) if anyone stared too long.

Did she know that the patio she was about to pass had something unnatural lounging on it?  Was she aware that the tall man who was approaching that patio from the opposite direction was even less natural than the first?  No.  We'll see if she catches the drift.

Kragen
The throng is thick this evening, and Kragen, sharp eyed as he was in his slowly [very slowly] mounting years missed Flood as he slipped behind a pack of tourists who were ripe for the picking, fanny packs and exposed wallets would make fine pickings for even a moderately skilled pickpocket.
He ignores those prime pickings for now, instead turning back to what lay before him with a rub of his hands together. From his beer, he takes a swig, before sliding it back onto the table so that he might instead pick up his cigarette. This he holds up gingerly, almost reverently as he held it between his index and middle fingers, turning his hands ever so slowly as he watched the heater sizzle in the air. He then stuffed the cigarette between thin lips and took a long puff, letting the stick of nicotine remain between his lips as he picked up his zippo and played it along the length of his leg, bringing it up lit and looking at the flame before he snapped the lid shut once more and tossed it on the table.

He became distracted by the passing waitress in that moment, the intensity of his grey eyes taking on a subtler heat as he watched her bus a neighbouring table. His gaze shifted though as a finely honed inner sense brought his gaze around and he met the eye of Molly Toombs, that knifes edge grin holding on his lips as he watched slide closer. 'Her come at me bro' stare met with,' I'm already here darling'

Because Kragen Kingsmith was a man of fine breeding and class, of that you could be certain.

Lux
Lux wasn't bar-crawling, wasn't clubbing. Lux wasn't coming from the glass-and-metal spiderweb of light and shadow that was the Performing Arts Center: Was she? Not dressed like that. Or perhaps she -- ? Lux wasn't in a crowd, either. And she wasn't texting, her head down as if a crowd were a thing that she was moving towards, as if her pack were waiting just around the corner. Lux wasn't looking around with disdain either, no superior curl of the mouth, no white-as-paper marbled skin, no fashionable grey silk suit.

Those are things Lux was not.

Here are things that Lux is:

Out for a stroll between Here and There, Hither and Thither. Placing a cigarette between her lips, and drawing a lighter out of the pocket of her jacket, angling her head just so, the debutante slouch of her spine insouciant [Carelessly, Casually, Rebellious],  flicking a glance toward the marquee of a movie theater that-a-way, the dim lights snaking through a spider-pale summertree catching in her tarnished-up [crystalline (enshadowed, todnight, oh - full of shade difficult to see through like a wall of smoke or)] eyes and teasing out a hint of brightness.

Her jacket is unbuttoned, but the broad collar -- see, Lux can be rakish too -- is angled up so the edges stab past her cheekbones. Her jeans have been scrawled all-over, and the messenger bag on her shoulder looks like it's full of heavy, heavy things.

And now she is looking at what movies are playing, just before she lights her damned cigarette.

Flood
Molly is sans gaggle of giggling women and let's be frank, without Frankie or Devin there to beat back the wolves, a stray sheep grazing such pastures as the city of Denver's expansive Rack would usually get Flood's attention. In a different way than it might any other red-blooded man, because his blood is ichorous vitae that wells near an unbeating heart, but he can usually veil that fact long enough to...

But there is Lux and there, in her, is a woman that blips on his radar with an assertiveness that makes all else fade away. Predator and predator. Lovers of fashion each in their own way. Embodiments of the finer things. Followers of extreme philosophies, if of differing viewpoints, who can agree on at least some things.

And one of the most glaring characteristics in common... Both had been at Richthofen. Not that Flood is entirely aware of this fact, but he comes to the table as cognizant of what he does not know as of what he does.

Comes to the table, walking up to her, like them crossing paths is predestined. Expected. He, in fact, looks delighted to see her. His smile grows, spreads like butter, more full and offered. He glances over at that patio once he's stopped before her, placed himself before her lighting that cigarette so his shadow is in her line of vision past the cherry and he will be there when she looks up. Hands resting for but a moment folded before his waist before one gestures up to the establishment. The aforementioned and expounded upon Patio.

Because we might as well make it the place's name.

"Shall we?" There it is. His voice, not too deep and not too high, but what it is more than anything is clear. It in fact possesses both tones and those between, and is played like a mandolin. Those first two words are him tuning it for what will come. It impresses itself upon those who hear it like a particularly strong current in an ocean.

Kragen
[Do i notice?]
Dice: 6 d10 TN6 (1, 3, 5, 6, 8, 9) ( success x 3 )

Lux
[Yayy. Flood. Manip + Subt, first o' the night.]
Dice: 5 d10 TN6 (4, 5, 6, 6, 9) ( success x 3 )

Molly Toombs
There wasn't much worry to being bothered.  Molly was a grown woman, and she has lived alone for enough years to have a firm enough grasp of taking care of herself-- not in the sense of physically 'taking care of herself' if she were confronted, necessarily.  Rather, she knew how to best avoid that confrontation.  She knew already that the technique of ducking one's head and trying hard to fly under the radar just didn't work out well for women travelling solo.  Instead, she found it made them look weak and easier to harass.  That's why she instead walked with the same sort of comfort and self-assurance that most people had only in their own home.  Young bucks in Tapout tees didn't worry her.  A duo quipped as they passed her, she answered with a smug half-grin and a middle finger.  They laughed and carried on, and Molly was left to go on her way.

The man who looked a little more weathered, somewhere in his forties and well dressed, though....  He unsettled her a little bit.  She felt his eyes casually wander and rest in her direction, and she met them with a challenge.  How he answered, though, faltered her just the tiniest bit.  She was accustomed to being answered either with the other party looking away or being raucious toward her.  Kragen's calm, the even confidence and the open invitation in surprisingly light eyes... That unsettled her a little but simultaneously caught her attention.

She stopped on the sidewalk with the pretense of fixing the back of her shoe and how it sat on her heel.  This bought her enough time to make up her mind.

Why not?  You bitch about monotony daily.

Rather than bee-lining for the patio, for that man, she instead walked past the enclosed tables and umbrellas, watched the older gentleman as she went (and lifted eyebrows at him with some modicum of significance), and entered the bar.

Inside she would be lost, for a moment at least.  Perhaps at the bar hidden between other bodies, or maybe in the ladies room.  Wherever she was, it was inevitable that she would resurface.

Flood
[ Perception + Subterfuge. Don't you dare lie to me, Big Mike. ]
Dice: 6 d10 TN6 (2, 4, 5, 7, 8, 10) ( success x 3 )

Lux
[FUCK TIES. Tie-breaker.]
Dice: 5 d10 TN6 (2, 2, 3, 6, 8) ( success x 2 )

Flood
[ Break it. ]
Dice: 6 d10 TN6 (2, 3, 3, 4, 6, 10) ( success x 2 )

Flood
[ BREAK IT I SAID DAMMIT YOU FOOL ]
Dice: 6 d10 TN6 (1, 4, 5, 9, 9, 10) ( success x 3 )

Lux
[Are you kidding me?]
Dice: 5 d10 TN6 (2, 4, 8, 8, 10) ( success x 3 )

Lux
[Chat, YOU will be baked and cake.]
Dice: 5 d10 TN6 (1, 2, 3, 7, 8) ( success x 2 )

Flood
[ And eaten. ]
Dice: 6 d10 TN6 (4, 4, 5, 8, 9, 10) ( success x 3 )

Kragen
It was the rarest of moments in modern times, where two unknown individuals gaze's locked, locked for a second, and instead of turning away immediately or instantly becoming defensive the pair of them held each others gaze. Kragen seemed to find this fact immensely entertaining, perhaps even intriguing if such things could be thought of inside what passed for his mind in these days. He watched Molly as she stopped for whatever pretense she chose, and then slid into the bar.

Kragen didn't move a muscle, no he remained where he was boneless and relaxed, he simply tilted his chin upward and scratched at the stubble that was growing upon his neck and smiled toothily a chuckle escaping between clenched teeth as the smoke in his lips stuck straight up like a candle in some nightmarish cake.

The moment passes, and Kragen reasserts some control over himself, dusting the fanciful cobwebs from his head with a rough and speedy shake, his eyes widening as they cleared and he patted down his arms and shivered his coat into place.

It was then...then that he noticed the two predators standing amongst the sheep, considering each other, considering the patio... HIS patio. He was on his feet then, staring intently at them with that toothy, almost feverish smile as his hands gripped the wrought iron railing of the patio. He shifted his stance in anticipation, waiting, almost dementedly eager for one of them...or both of them to look his way.

It was only a matter of time.

Lux
His shadow falls across her and Lux looks up and into the face of a smiling, delighted, Lasombra. Her delight is rather less evident to the shrewd examiner-of-Lux. He can see it: the tell-tale whisper of tension in her shoulders, the tell-tale caress of wary speculation in her glance, whettstone eyes dragging up, touch his briefly then drift away, and she has dragged smoke into her lungs, held it there and held it there, and tucked her right hand under her left elbow, slouch still in full and elegant effect, and then she turns her head and exhales. Smoke's a thing, isn't it? Even when there's no fire, it's a thing, and Lux's mouth compresses for a second, a rather uncompromising line, before one corner snicks up (softens) and she reaches out with her still-right-hand to adjust Flood's hat.

"Did you bring me a present; will you draw on my jeans?"

Conditional yes.

[Heh. Favourite Dice Pool. Alert + Percept! Do I notice some dude staring like dudes do?]
Dice: 3 d10 TN6 (1, 1, 1) ( fail )

Flood
[ Do I? Because this chick is trippin'. ]
Dice: 5 d10 TN6 (1, 1, 8, 9, 9) ( success x 3 )

Flood
"I present you with my presence and hope you won't find it wanting; I'll draw as best I can, knowing on you it'll look like a work of art," answering as she adjusts that hat, his back rod straight and his head still as she does so.

Grooming is a thing, isn't it? A sign of intimacy. Or maybe she just doesn't want to be seen with a tall accessory of a dead man that doesn't look his best in his unburied attire.

Either way Flood hopes his answer will solidify her conditional consent and eventually he turns and his gaze will come Kragen's way. Flood will turn to that patio and notice a leather lash of a man looking and smiling at them and he won't skip a beat as he allows his gaze to meet and hold and keep on holding even as he is a portrait of a predator ascending the stairs onto the patio and walking across it.

"Do you know that gentleman?"

He says it with absolutely no intention of being quiet about it, never breaking his gaze on Kragen as he continues to an empty two-top table, standing there to see if the man will approach him and his Anarch accompaniment.

Kragen
The woman, that all rakish beauty misses Kragen's gaze, but oh joy of joy's the man, the man in a startlingly similar grey silk suit catches the man's gaze and holds it with an unbreakable tenacity. Kragen's grin tightens, the lines of his older face becoming more creased, more weathered as he watches Flood ascend to the patio with Lux, his stance becomes one of almost shifting eagerness, the man sliding his weight around like he might break into dance. He spins around as Lux and Flood find a table and he runs a finger under his nose before clapping his hands together.

There is no hesitation, no moment of consideration. Kragen turns and strides towards the table of the vampiric predators, one hand gracefully sweeping out to catch an empty chair and then purposefully, capriciously dragging it across the patio, its legs grinding upon the patio top in a morbid and painful hello.

When at last he stands before them he lifts the chair off the ground and plants it in the space between them, on the one off side. His erratic energy seems to subside for a moment as he looks at both of them, the toothy manic grin seeming to have subsided into a smirk as he seated himself and slowly slide his gaze from Flood to Lux, his hands spread out from his body in greeting.

He crossed his legs and leaned back in the chair those grey eyes alight with life in a way these two never could be...not anymore and he said.

"Ahh my moon flowers, my evening primrose. You are the rare one's I have sought. Hello Hello. Kragen is my name." He said planting one hand firmly over his heart with a quick repeated nod of his head.

"Tell me, tell me do...are your evenings...peaceful?" 

Lux
The conditional yes was conditionally solidified by his willingness. See? The hat adjusted, Lux takes a step back. Then she rocks back on her heels, bending over in order to ash her cigarette out on the cement and tuck what's left behind one ear, the backs of her fingers catching strands of hair that in the commingling of amber street light and the brighter fluorescents and the softer twinkle lights and the occasional neon is of a questionable color. Something dark, you'd think, something that drags gloom into it -- Lux is, it must be confessed, the kind of creature bright things get sublimated by, drawn into, it's all about the presence you see, the indefinable [Magnetic. Not so indefinable, but- but why?] pull [--the thing that masters the Morning Star through all its paces]. So why wouldn't her hair seem dark? Why wouldn't an old friend Lasombra come up to her after Richthofen and shall we? Why wouldn't some man gaze at the pair of them with highly suspicious fever?

The point is she tucks the cigarette behind her ear and she also brushes her hair behind said ear and then rakes the whole thing so it's tumbling over the other side of her skull past and around her up-turned collar, laying bare her jaw and a flash of throat just below her ear and a tiny row of metal studs and
Also, she walks with Flood over to the Patio. Do you know that gentleman? asks he, and Lux looks at somebody entirely different and says, "Sure. Dreams of a sports car, considers himself a poet. Has never read a damned thing worth reading except the dictionary, doesn't get John Wayne, probably loves his job but pretends to hate it." Her tone changes abruptly, the texture of it, the warp and weft of it. "Flood, were you -- "

Oh, this gentleman. This one who is standing in front of them? Not that other gentleman over there? Lux watches Kragen take a seat. Lux looks from Kragen's suit to Flood's suit and Lux looks at the street again and then Lux looks back because Kragen is talking.

Lux watches Kragen as he talks and, now now, don't assume. By the time he gets to 'moon flowers,' Lux's expression brightens up into something ardent and contained something-or-other. "Evening primrose?" she echoes. Maybe that something-or-other is just the will to enjoy something strange. Then he gets to the:

You are the rare ones I have sought. Are your evenings peaceful.

And the flower of laughter dies a quick death, see, replaced by a cool eyebrow quirk: "You sound likes a salesman. Are you? Or just a botanist?" 

Flood
The Toreador asks a question and it is direct so Flood continues his stare at the man.

It had begun earlier and is continuing onto now throughout his dramatic approach. Kragen's dramatic entrance into two unlives, welcoming rare creatures into his own. It's plain to Flood that Kragen seems to breathe, seems to have a pulse, seems to blink, and perhaps he even has a sheen of sweat that Flood does not from the heat. But even that could be nothing more than dew condensing on cold and undead flesh turned warm, a play of the microclimates of a living corpse.

But he says they are the rare ones.

And even then perhaps he is an old vampire of an old school of thought referencing their membership in what was one and still is known as the high clans, though in increasingly confined circles.
But maybe he's startled from his revery, his analysis as drawn out as it is, when he realizes this well-dressed man mentions peace. He does not wait for an answer to Lux's direct and to the point questions. This is a topic, that once it takes root, brings Flood's voice back to life.

"Hardly," is his answer, like that's the way Flood likes it, especially how his smile returns with a quirk. His own interjection into the conversation while they wait for Kragen's answer as to his profession.

Kragen
Kragen laughs, the sounds intensity is palpable, the look etched upon his face one of manic glee as he claps his hands together once as he turned to face Lux. He leans forward then, resting one elbow on the table, the fingers scampering across the table towards Lux but never quite reaching them as he said.

"My dearest darling, I could be a selling botanist and it would barely matter an Iota." He taps the table with an open hand before withdrawing it himself and letting it settle into his lap. "I am the light which starts your fire deepest darling. But...at this moment more importantly, I am the eye and the ear of men and women who may fill your darkest dreaming darling."  He turns then, slowly and surely to look at flood and points a finger at the man before letting it fall to slap his knee.

"A poignant answer, I like that, because it tells me exactly what I want to hear. Isn't that the way of it?" He says as he regards Flood. "Tell me more....SIR."

Lux
[Doo-dee-doo, Manip + Subt.] 
Dice: 5 d10 TN6 (2, 2, 5, 6, 6) ( success x 2 )

Kragen
[Per+Subt?]
Dice: 4 d10 TN6 (6, 8, 8, 8) ( success x 4 )

Flood
[ Ditto. ]
Dice: 6 d10 TN6 (1, 2, 2, 6, 8, 9) ( success x 3 )

Lux
Tell me more, SIR, and now it is Lux's turn to play second fiddle, because that question was rather direct, wasn't it? The [Anarch] beautiful thing leans back in her chair, folds one leg over the other, rests her elbow along the chair's back, slouching again.

Of course, Kragen and Flood are both favored by [fickle gods] a moment of acuity, and they perhaps read more in the creature's body language. Her interest in Flood's answer is -- oh, just look. You can see it in the way she doesn't blink. You can see it in the way she looks, the way she holds herself so still and poised, not quite distant, no, certainly not removed, not Lux, but -- knife's edge of balance. Lux also appears to, when Kragen walks those fingers of his across the table toward her, be wondering whether he really did that. I am the light which starts your fire deepest darling, well.

Let's just say -- it's not a scoff. Not quite. Malice has not been activated. But a more thoroughly unsold connoisseur of the English language there could never be ever. She seems to be wondering whether or not he was joking, at least for the second her attention was still on the strange intense man.

Lux
ooc: ahem, strange intense man's strange pitch (?).

Flood
Sir, at this point, seems like it would suit Flood just as well. But to hide his name, to obfuscate anything about himself, much of this would go against what it mean to be him. So, when he offers it up, "Flood," remaining mononymous, it is offered like a gift even though Kragen's addressing of him hadn't help much of an interrogatory feel.

This Kragen has more questions. He can sense it. He's presented himself as the eyes and ears of another force, the kind of dark dreams and that can mean nightmares or that can been deep desires kept within the cave of the mind and hidden from the light because of their own dark nature.

The Brit doesn't seem like he's threatening them. Flood gives him the benefit of the doubt instead. Gives it to him because he at least seems interested. Curious. Locked upon and focused on what this man (thing) is that has presented himself and what he means by all these well-strung together words because Flood can appreciate them all.

"I would say that it is a very dangerous place, if asked," which the man has. "I would say that it is the kind of place that is already filled with dark dreams made real. What do you spin your dreams out of? Dried primrose and moon flowers?" He tilts forward to look at the tips of those fingers that come a-walking toward Lux.

"If there's black under your nails, is it soil or dried blood? Swords or plowshares?" Tell me more, his own quirked eyebrow says back.

Kragen
Lux isn't quite repulsed by Kragen's words or his display, not quite, but such things can be measured by the breadth of a single hair and so  one could really wonder. But Kragen seems unmoved by such displeasure...perhaps he was used to it. A man as curious as he needed to exude charisma, not simply confidence and though he held plenty of the latter, the former simply did not hold up.

But Lux has no questions, no words at this moment for the strange man, thing, creature that sat before the two vampires calling itself Kragen. So it is entirely upon Flood that the man places those vivid grey eyes, that intensity burning, roaring within, perhaps if it ever truly escaped it would burn this city to the ground.

"Neither." The ghoul says as he takes his hand and holds it up for both to see, the fingers waggling as that toothy nasty grin spreads across his lisp. "The others would argue, of that I can be sure." He says before leaning forward. 

"But what you would find under MY nails?" He inclined his head slightly to regard them as he lay his hand flat upon the table once more. "Is ash." He lets those words float on the evening air, like it was something magical to behold, his eyes gazing up at the building around them as if he saw something else entirely. "I spin dreams with fire, and terror."

His gaze shifted at last to Lux, that intensity still burning within. "I am a poet, fire is my pen, ash my paper...all in the name of anarchy...my dearest muse."

Flood
"And what if it rains?" Flood says it simply. The edges of his lips do not curl up anymore. Not at the mention of fire. If he is playing the straight man he is doing it too well. He lets the question linger before interrupting the silence he creates with more of his own words.

"If you farm fire and ash then I guess a desert is the perfect place to ply your trade," leaving that poet metaphor out of his assessment. "The soil is right for it."

"But you are the eyes and ears of a whole? And what purpose do you serve, other than anarchy? You see, in my time, I've heard many speak of anarchy. I'd seen so very few practice it. So, you must understand my curiosity." His lips are just a bit purse, like he has to keep his mouth closed from saying more.

Kragen
Lux remains silent for the moment, and so Kragen turns his gaze back to Flood with a shrug. "Rain does very little to napalm." He answers simply before chuckling and rapping his hand on the table as he leaned forward towards Flood and places his chin upon the open palm of his other hand his fingers moving fluidly against his own jawline.

"I...I serve Anarchy, its a wonderful hobby. You never master it and there are always such wonderful opportunities to learn. But otherwise? I serve myself.." He says tapping one finger on the table top. "But I suppose what you wish to know..is of the whole." His grin widens once more into that toothy expanse as he looks between the two vampires.

"I serve...Dogwood." The word is whispered, but the man is almost giddy as he says it. Perhaps they would know of it...or maybe they wouldn't. 

Flood
Kragen's return volley is met with a smile, finally, edges of his lips turning up like puppet strings at that line about napalm.

Really, it was a sharp answer, and it illustrated more about the man than he'd originally gotten from all that about fire and ash earlier. It's a more practical and literal perspective to frame him from.

"You must get up very early in the morning to serve so many things," he says. "One I feel I understand, even if I have no willingness to master it. The other I've only just met. But Dogwood?" Sounding like he would like to hear more.

Lux
[? Is this more flower crap?]
Dice: 3 d10 TN8 (5, 7, 9) ( success x 1 )

Lux
No, Lux did not say anything when Kragen claimed Anarchy as his dearest muse, though that not-quite-scoff, that unimpressed really, you're joking, has been sublimated entirely by this new sort-of attention. Happened when he claimed his fingernails would be dirty with ash. Happened when he puts 'fire' and 'terror' together, and the Red Fear is too recent a thing in Lux's memory. Look how sharpened she is, how, when Kragen gives up his allegiance to, she executes a fluid gesture [beautifully, it dies for love], plucking that cigarette from behind her ear and then (like it's a test, baby, gimme some fucking poetry) lets the end hover-in-the-air, c'mon, where's your light? Light me up. Produce fire. 

But maybe Kragen doesn't recognize the sir-the-lady-needs-a-light gesture. Regardless: Lux shifts her weight from one side of her chair to the other, so she's draped over one of its arms, "But is one supposed to serve Anarchy? Doesn't such service rather defeat the point? Are muses in their natural state meant to serve or to be serviced? What's your proudest poem, Mister Kragen?"

"And how the hell'd you get into such a noisy racket?"

Kragen
Kragen is not one to miss a chance to light..well...anything. A hand disappears into his pocket and a moment later that battered and beaten Zippo is run along his pant leg, sparking and lighting as the man holds it aloft, offering it to Lux with a terrible need to light it. Perhaps he wanted to light more...perhaps  he wanted to burn everything  in this mall till it was not but cinders. His gaze holds on Lux as she asks her questions, his gaze flickering steadily between her features and the fire which burned between her lips. Both hold his attention just as equally as the next, something that might displease the vampire. But Kragen seemed unconcerned as he gave voice to his answers.

"I am one of Dogwood's four initial members, alas the architect died in the 80's...there were some..contract disputes which ended badly. I'm sure neither of you knew him." He then smiled, a real smile, not that twisted knife of a smirk or the toothy rictus. It is a smile of remembrance, a smile of good times and deeds well done. "A nameless little castle in northern Ireland, made of stout stone and solid foundations, a beautiful view." He sighs as he imagines it. "Over the course of five days I secreted ten thousand gallons of diesel fuel into the castle's beautiful little underground reservoir. On the sixth day...just as fifteen night walkers, and thirty five of their servants prepared for their night. Their precious castle evaporated around them in a blaze of purest flame, the force was enough to send the castles ramparts hurtling through the air..and sending the rest into the firey reservoir beneath." He seems to move one hand like he was hearing music, lively and jaunty as he repeated the tune.

"You could see it for miles...." His gaze became normal once more, its intensity returning as he grinned. "On the seventh day..I rested quite comfortably." He then shot Flood a look and tilted his head.

"We are a team for hire sir, a team of upstarts and go getters, no master save ourselves and those who pay. We have a wonderful success ratio if you'd like to hear a list of our accomplishment's...but it might take a while to do so."

Flood
Lux seems to know something that Flood does not and in this moment he wants to ask. Wants someone to enlighten him. But to say those words might leave him aflame and this suit is expensive. The tailor that made it is long dead and his son just doesn't fill his shoes. Not yet. Needs a few more decades under his belt. Look at Kragen with his Zippo handled so easily and handed off.

And then he starts talking and Flood needn't ask to be enlightened. The tale opens his eyes as to what Kragen is more than that final summary leveled his way. A menu of services.

It tells him what Kragen is as soon as he says nightwalkers in the tone that they are others. Masterless. Never does he say independent. There is a difference.

"You're a mercenary," he says, in a matter-of-fact tone. Not like he's realizing aloud. He's setting up for his next statement: "Sir, you are capitalism in its rawest form. If the first profession was prostitution, yours was the second, and there is no anarchy in what you do. You sell a service." He stops himself.

"But a good salesman, nevertheless," he pipes in a moment after what might be considered an insult, as if to smooth it over. "The great painters were no less artists when paid for their work."

Flood glances back over at Lux next, curious as to her take on it, to see how she will react to what he says.

Lux
He talks of fire. Of castles, burning -- immolated. Ash and nothing, and Lux who is breathing, Lux ceases to breathe, forgets it. Lucky Kragen. He's got representatives of two Sects for the price of one impromptu meeting.

"Very bold," Lux agrees (?), and then stands. The chair-legs scrape against the patio ground, a small sound of protest. "Do let me know when the late-summer early-fall catalogue's ready for the mail, hm?"
Pivot, toward Flood. Hand with cigarette in front of her mouth, other hand on the back of her chair, she leans forward to say, "And you." A brief pause. "When will we stop snatching a handful of minutes together, and make it an hour instead?"

Lux
[Eh, for the kicks. Last manip + subt of the night!]
Dice: 5 d10 TN6 (3, 6, 7, 8, 10) ( success x 4 )
Kragen
[Per+Subt]
Dice: 4 d10 TN6 (1, 2, 7, 9) ( success x 2 )
Flood
[ Perception + Subterfuge because why the Hell not. ]
Dice: 6 d10 TN6 (3, 5, 6, 6, 9, 9) ( success x 4 )
Flood
[ Tie! ]
Dice: 6 d10 TN6 (2, 3, 5, 7, 8, 10) ( success x 3 )
Lux
[ -_- ]
Dice: 5 d10 TN6 (1, 1, 8, 10, 10) ( success x 3 )
Flood
[ ... ]
Dice: 6 d10 TN6 (1, 2, 3, 3, 8, 9) ( success x 2 )
Lux
[ >_< ]
Dice: 5 d10 TN6 (1, 2, 3, 3, 9) ( success x 1 )

Kragen
Lux stands, and Kragen...for his part sees it as an end to this meeting. So he reaches into one of his pockets and pulls out two cards, spreading them out, one towards Lux, one towards Flood, one can have no doubt that upon it is a number to call, perhaps a name, but more then likely just a simple, abstract symbol, and the word Dogwood under it.

"We do our best, simply let it be known that Dogwood is very interested, and very...very eager to lend its services in the coming transitory timeframe." He looked at Flood and shrugged as he rose, cranking his neck to one side as he straightened his suit.

"Perhaps....but then Philosophy was never really my strong suit. Good evening, do enjoy the stars, I know I always do." At that Kragen turns on a heel and is off through the patio, he almost shimmies, even dances slightly as he goes.

Strange nights lay ahead....perhaps now they would be just a little bit stranger.

Lux
Lux despises the ghoul; it is sheathed. Lux also truly does wish to catch-up (conditional [cautionary]) with Flood for an hour, though it's not without a lick of wariness.

Flood
"Let's meet where Jack use to do wheelies on his motorcycle. They're still open. Call it Friday?" Flood ventures a recollection to ages past and puts a date on it, trying to leave it vague enough that ears listening in who don't share their collective history won't be able to pin the location down.


He says this as he nods to Kragen, taking his card and giving him a nod of thanks. "We'll have to discuss rates. I contract out now and then. Mostly then, but one can never keep oneself too sharp," his reply as the three part ways, Flood heading in a different direction once he's down off that patio. Veering off 16th Street and then Northward toward Union Station.

Jack And The Ravnos Plot And Make Pop Culture References

Kali
The Ravnos has just put her phone away after speaking with Lux, still looking...shall we say, a little less than pleased over the news of one of the Anarchs lost.  She didn't know him personally, but she liked what she knew of him.  And Lux liked him, a lot.  Yeah, there's gonna be some payback if at all possible.  

She looks around the designated meeting place.  A lot of people wouldn't choose stereotypical meeting places for such clandestine meetings.  Kali likes stereotypical.  No one thinks anyone is dumb enough to choose darkened alleyways, junkyards, nearly-abandoned diners, crack houses.  Kali isn't dumb enough to; she's smart enough to.  Because there's a reason these are all cliche; they work.  And people don't tend to think of them when trying to find people.

Tonight she's doubled down, and chosen the back alley behind a house where she knows heroin addicts to squat.  She knows they're all pretty much out of their minds at this point, and they're not exactly within earshot of the inside anyway.  She doesn't smoke at this moment; instead just waits in the darkness.  Her trusty gun is at her back in easy reach as she watches, waits.

Nobody
[Oh, right. The Mask.]
Dice: 8 d10 TN6 (2, 3, 6, 6, 7, 8, 8, 10) ( success x 6 )

Nobody
Nobody is good at hiding. He is very good at hiding, at Seeming Other Than He Is. Very few, if any, really know Jack, what Jack wants, what makes Jack get up at night besides general thirstiness. He often seems kind, polite, truthful, and he is. But Jack is still very good at hiding, and it is rare that he seems mad. This is not one of those rare times, but it is a time when Nobody is hidden deeply, more deeply than is usual even for him. This Face is no face that Kali has seen before: a blonde woman in her middle age, strung-out and emaciated, paring away into nothing, a woman who might've been lovely once but has since lost all grace, eyes too big for such a thin face, mouth of a shape that doesn't quite match the jawline, an unattractive slouch. She looks like she is going to dissolve away, looks like one of those pictures from the Depression given shape, plain Jane on crack.

Jack doesn't often take the time to look like a woman. He doesn't like it. But tonight, he decides that it's camouflage. Or maybe he was thinking about a woman and he can't quite shape her into the woman he remembers, so this ugly diminished version of her is what he gets.

Either way, there's a thin blond woman who probably looks very much like 'she'd' fit in around here coming toward Kali. The walk is different, swaying.

"Hello," Jack says. The voice is a woman's too, but 'lest there be any doubt (and there should be [would be]), he also says, "Hypothetically speaking." 

Kali
The second Kali hears footsteps, that gun is out from behind her leather jacket and pointed in the direction of the 'woman.'  To be perfectly fair to our little drug dealer, she'd have the gun out and pointed no matter what who appeared right now, until she knew who she was dealing with.  There's no panic in the Rroma woman, no fear.  It's not a woman who's showing herself to be on edge.  But for a moment, Jack sees something not a lot of people see from the Ravnos, except in just the right situations:
Someone ruthless who is not to be fucked with.

She arches an eyebrow as the woman who looks like she's been chasing the dragon for far too long.  No smile, no smirk.  Just an even stare, as if to suggest 'she' find another alley to do up. 

And then she speaks, and she says that code word.  Just like the corner of Kali's lips quirk up, though she doesn't raise the gun quite yet.  "Riddle Me This, Batman.  How many times have I had to start over?"

A slight cock of her head.  Her fingers uncoil and rewrap around the pistol grip.

Nobody
She (he) holds up four fingers. One. Two. Three. Four. The look in her (his) eyes is tired but that might just be This Face. This Face looks like its owner was bone-tired, weary to the very middle of her marrow, whenever Jack saw her.

"You could care less about transient things," she (he) says, in an echo of what Kali said to him in the Emergency Room, back when Hawthorne was a mystery, back before Hawthorne was a mystery coming out of the fire and darkness of a siege, of a surprise, of the Ivory Tower rocked to its foundations (hubris [monsters]) as the Sabbat made their play.

"But please, in the future any hero but Batman. I don't like bats. They get into your ears." 

Kali
And that's the key.  The smirk becomes a smile, the barrel tilting toward the sky, and then she moves to slide it back under her jacket where it belongs, no longer threatening to rup the now-known-to-be-Nosferatu's head apart via gunpowder-delivered trauma.

"Sorry," she says with a quirk of her shoulders that is only slightly apologetic.  She's clearly not talking about pointing a gun at him.  "If I'd said 'Riddle Me This, Aquaman' then the joke wouldn't make sense.  And I'd be implying that you're unbelievably lame."

She swipes a hand through her crimson hair, now giving one last look around.  It isn't that she doesn't trust Jack, but there's always the chance someone followed them.  They all have their tricks.  When she looks back, she's a bit more relaxed, if not satisfied.  There's no way to know for sure.

"So, again with the 'glad you made it out.'  There's a TV, DVD player and a couple boxed sets sitting in my car a little ways away for you.  Hope you have power at least, I didn't get an extension cord."

Nobody
He shakes his head slightly, negating the apology before he knows what it's for. He might've suspected the sorry was just one of those unnecessary things that happen in conversation. Sorry, but. 

Acknowledgment of something, and then move on. Jack, for all his humanity and his conscience, has a certain way of looking at the world and other people in it and how they relate to him, and it isn't careless (quite the opposite), but it does seek to ignore the unnecessaries. He -- no. She shakes her head, lusterless hair sweeping past her (his) thin shoulders, the ends fraying and full of split-ends, like the edge of a moth's wing all torn-up, and says,

"Well I thank you for not implying such a thing."

The woman who is actually Nobody who is actually Jack offers Kali 'her' hand, a comradely-in-arms sort of gesture, deliberate and to the point. "And again, I am also glad you survived the inferno and the siege." He frowns off into a distance that has nothing to do with what he is looking at, namely the Ravnos before him, and then the woman's eyes spark with a mellow sort of laughter, a chuckle that catches in the back of his throat.

"I'll see what I can do. Thank you, or the truck whose product wasn't secure enough, for your gift." He even sounds almost solemn, thanking her for a gift, even if there's that chuckle too. Gifts are important things in the world Jack lives in, which is a world Kali lives in too although she doesn't know that the world Jack lives in is a little different from the world she sees and interacts with. Gifts are a story, not exactly a binding contract but something to touch on the old compulsion. "I'm looking forward to watching Lord Stark and applying it to our situation, or," a sigh, "just using it to think about another situation."

Kali
Situations, they are a bitch aren't they?  They result in dead people, fights over poor bystanders drug into their world, actions that sear their morals and tear at their soul.  The Ravnos gives a bit of a grin when Jack-ette shows his gratitude for not being equated with a superhero who is the equivalent of a sixth toe in the Justice League and shrugs it off, stepping forward and accepting the offered hand.  It's a quick clasp, no squeeze; just a motion of respect and perhaps camaraderie.

"I'm like Sam Jackson in The Long Kiss Good Night.  That's right...you can't kill me, muthafuckas!"  Except they could have, and probably with ease if she'd been facing down something worse than a fleshcrafted and bonecrafted mortal servant.  And Kali is not naive to that fact.  But she lives by the skin of her teeth...again.  And that's good enough for her for now.

"Oh, no truck for this one.  I spent my very own money.  It ain't a gift if you steal it.  That's redistribution of property, and I'm not Robin or any of his hoods."  She steps back again, leaning against the wall she had her back against and sighing as the Nosferatu talks about situations.  "Yeah, we've got plenty of those.  The Sabbat kicking down our door without so much of an 'Avon calling,' and don't forget about that whole super-ancient Gangrel poking about the city from below.  Fuckin' Middle America.  Whole country's gone to shit, hasn't it?"

Nobody
Jack speaks to animals and animals speak to Jack. It's one of his canny knacks, one of his tricks for surviving in this gruesome fairy tale. The animals are not kind and they are not cruel. They are animals. And they speak to him, and sometimes he tells them what to do and they do what he told them to. He has not yet heard from one brave little rat who is keeping watch on one quiet tailor underground, waiting and cleaning his gun and alone, absolutely alone, but he has heard from his Boots, his cat cavalier, his good luck charm, his burning eyes in the dark, and it's this his mind is on at first. At first.

Kali mentions the Ancient Gangrel, and Jack's attention sharpens. The Face He Is Wearing, the female body, it doesn't have his same mannerisms, there is little to recognize of Jack who is Nobody, Nobody's favourite and fortunate Jack, about it. But still, there is this heightening of attention, this sharpening of interest, which echoes across the unattractive female face. "I haven't forgotten, though," and here he pauses. Jack keeps his cards close to his chest, just as Kali keeps her cards close. "I still wish you'd tell me why you think there are two. Because everything I have heard says otherwise: rumors and portents." Briefer pause. "The other night, with Mercy and Narcisa, I thought I saw an echo, or the more ancient drama in miniature."

Kali
Jack has his animals who are his people, his little tricks and spies and sources.  Kali's sources are more of the two-legged variety as a rule.  Dirty cops, dealers, prostitutes...she has a little gamut of sources to get information from.  But in this case, her information came from a very different source.  After all, Little Hector the huge guy who works the corner four blocks down isn't going to be able to tell her anything about ancient Gangrel.

Kali considers Jack a moment as 'she' says 'she' saw something the other night.  She seems to be considering, despite their comradeship, how much to share.  They both play things close because while they're friendly, do they really trust each other?  Can they?  Perhaps their recent conflagration made such things necessary.  Perhaps the severity of the threat has.  Whatever the reason, she considers a long moment and then shrugs.

"Mercy said it was two.  I have no idea how she knew.  She said it after she licked the dirt at the lake.  To clarify though, it was only one Gangrel, I think.  One that was something else."  The thought sparked in the back of her head, a forgotten detail.  Because her player's a dork.

Nobody
Jack is a vampire and vampires are stronger willed than mortals, as a rule. But Jack tried so hard last night to do so much and he is still somewhat drained. His visions bleed through. They inform his reactions. His mind isn't spinning, but Jack it cycles through all of the different stories, putting them in order, noticing connections here then following the connections there. The siege of the Ivory Tower is a story separate from That Which Stirs Beneath, isn't it? But the world is an onion and layers overlap, touch one another. So Kali considers a long moment, then shrugs and finally grants one of Jack's wishes. Gifts and wish-granting, she is a regular Fairy on the Side of the Road right now, the Illusionist Gypsy, the Holocaust Survivor, and so what if the setting is an alley where addicts sometimes come to die choking on their own vomit looking up at that rectangle of sky.

He nods, accepting this. And then says, "How much do you know about Oliverio Giovanni?" but quietly, as if the name might conjure up a ghost (perhaps literally) to spy on the conversation. Does it get colder?

The question is asked as if he really wants to know, but also as if he is going to tell Kali why he asked.

Kali
She kind of expected follow-up questions to be honest, but she's not upset that there aren't.  She still has secrets, and they may come out when they need to, but she's not just doing it to be stingy.  There are certain people she's trying to protect...most notably herself.

He asks about Oliverio, and Kali snorts.  She's got no love for that clan, much more than she has of the Tremere.  "I know he's a Giovanni, which means that he's got all of my advantages of being from a non-Camarilla clan with none of my disadvantages.  Lucky fuckers.  I assume he's some kind of creepy, sick and deranged bastard too.  But outside of those, nothing most than the majority of people do.  Well, I'm also smart enough not to assume he's just a nice public face of Clan Godfather, so I know that which most people probably haven't figured out."

She looks him/her over, cocks her head.  "Why do you ask?"  Yes, he clearly was going to say why, but it's still polite to ask.  It makes the information exchange etiquette complete.

Nobody
"You could also make an argument for impeccable timing," the thin-faced woman observes, rather wryly, "considering when he went home." There is a brief pause from Jack. Briefest of pauses. Before he -- she, voice a waifish thing, something nasal to it, whose voice did he take? Did it belong to This Face? "I ask because…" He trails away, gathering his thoughts or deciding how he's going to present them, lay them out for Kali to read, which words to use which words to not use. "He was listening hard when Winthrop's Pet came bearing news and, before he left, he exchanged a look with Narcisa, who," and here, his -- her -- voice is a shade louder, the strung-out creature leaning closer to Kali in order to impart this, "I have heard has perhaps been touched by the mythic strangeness. The crow. The moon." 

"It's interesting, isn't it?"

Nobody
ooc: Er. "and, before his well-timed exit the other night, he exchanged a ...look with Narcisa, who" even.

Kali
She cocks a brow, smiling with a bit of intrigue in her expression.  "Did he now.  And is she?  Interesting."  She muses on it for a long moment, considering.  Maybe she's weighing how much value she could get from helping take down a Sabbat-helper.  Maybe she's considering whether she can trust the information.  Maybe she's just making a show of it for appearances sake, giving the illusion that it's information of value.  Anything's possible.

She tosses a look down each way in the alley again and then looks back to Jack's current form.  "Anything more than that?  We'd need more, obviously, to give us even a lead on anything solid."

Nobody
"Oh, no," Jack says, and he -- even as a she -- is always a gentleman when it comes to these things, when it comes to the sharing of speculation and information. He has the same cadences as he'd had by the lake when there was a confluence of Ravnos, Gangrel, Nosferatu, when the biggest political news was some beside-the-point Anarch getting punked on by a Tremere, instead of a pillar of the community possibly diablerized, a Nosferatu elder confirmed traitor and killed and his own Primogen possibly turned traitor.

"As yet, no. But given how unsettled things are," and he -- she -- smiles, ruefully, "I thought I'd point out the bread crumb trail."

[Percept + Subt! Are you being all Deceive-y and Too Cool For School, Kali? What's this 'maybe' stuff?]
Dice: 7 d10 TN6 (1, 2, 2, 4, 5, 7, 10) ( success x 2 )

Kali
[[Ahh, what the hell.  Man+Sub]]
Dice: 8 d10 TN6 (1, 2, 3, 4, 5, 6, 9, 9) ( success x 3 )

Nobody
[One night I'll see through you, Missy. One night.]

Kali
She's a hard one to read, that little gypsy.  She gives a little nod and a smile.  "It's definitely something to keep an eye on.  Little thread to pull at, see if it unravels or sticks in like a little Giovanni bitch thread might."

They're talking news, portents of doom and other such things.  That brings a conversation she had just had to mind, and she frowns.  "Oh.  One more for the KIA pile.  The Brujah Anarch, Stone."  She is...not pleased about that.

Nobody
"A pity," Jack says, sounding like he means it, but also like he is not particularly surprised. "He gave a good speech; he would have been a good ally to have, I think. Were you?" Allies, he means, looking at her closely. She's a hard one to read, that illusionist, that mistress-of-chicanery and of impeccable lies, but her displeasure is written plain as vomit in the hair of a drunk. 

Kali
She shakes her head.  She seems upset about it, certainly.  Which is not something she lets show often; this cracks through the facade.  It's not the upset of someone deeply close, and certainly not the rage of someone closer than that.  It's more simply the loss of someone she had a level of respect for, and perhaps who someone she knew liked.  It's an expression of humanity from the Ravnos...empathy.
"Nah."  She shrugs it off and smiles a bit.  "But you're right, he was pretty bad-ass with that speech.  Kinda had it coming, I pulled him out and apparently he decided to go back for more or something."  She shrugs.  She did her part.  That's the best she can do, and it may even have been more than she would have done for most Camarilla that she didn't know well.
"Doesn't matter.  He's not gonna be the last by a long shot.  On any side."

Nobody
Jack replies to this with silence. The look in his eye --
The look in the thin, emaciated woman's eye is a distant one and introspective. As though he were laying out his own heart and judging it, considering what he might have done and what he might yet do. These skirmishes are like weather to him: and weather rules every quest, makes it easy or pleasant or the hardest thing to ever yet be done by the questant. He doesn't need to sigh, and this once, he does not, though the corners of This Face's mouth tug downward, and the slant of This Face's neck is regretful.
But he is still an optimist.
"Hear anything about the nobility?"
Kali
A little shake of the head.  She'll have that cigarette she held off on now, placing it between dead, made-up lips and bringing out her little electric lighter to heat it to life.  The smoke is drawn into dead lungs, slowly exhaled.
"Nothing more than I knew before.  Stone's the only new name on either side of the ledger that I'm aware of."  She turns her gaze back over to him, head cocking.  Observing him curiously now.
"What about you?  You know anyone that's living or dead that I don't?"
Nobody
"I know they're moving up and out," Jack says, and he means the nobility, the blue-bloods, "though not whether or not they've left the fray entirely, to lick their wounds, or have just taken the wise precaution of moving house. That's all, as yet. My people are scattered." 
The rue is back: "As they should." 
Kali
She smiles a little, perhaps sympathetically.  She knows having scattered people and while she may have the same relationship with the Kindred of her kind, her feelings toward her mortal people is very different.  And as such, she can relate a bit.
Ash falls to the ground, settles on the dirty alley floor as she tapes the paper tube burning between her fingers.  She's quiet for a moment, eyes fixed on Jack, unblinking.  Considering again.  Weighing options, perhaps.  That seems the likely reason when she asks:
"So what's the plan?"
As to what problem she's asking about a plan for...well, that's up in the air.
Nobody
[Is this the moment I understand you, you wily gypsy lady you?! Percept + Subt.]
Dice: 7 d10 TN6 (1, 1, 1, 3, 6, 8, 9) ( success x 3 )
Kali
[[She is a mystery!  Maybe she's born with it, maybe it's a gypsy curse!]]
Dice: 8 d10 TN6 (1, 2, 4, 5, 5, 8, 9, 10) ( success x 3 )
Kali
[[One more time!]]
Dice: 8 d10 TN6 (1, 2, 3, 3, 3, 3, 7, 7) ( success x 2 )
Nobody
[Once again!]
Dice: 7 d10 TN6 (1, 1, 5, 5, 7, 8, 10) ( success x 3 )
Kali
She's playing it cool, but her mind is working a million miles a minute.  He can see it in the little hints that betray her this time; the slight way her eyes twitch slightly with each though, the slight hunch of her shoulders, a little tapping of her pinky against her palm on the hand holding the cigarette. 
Based on the conversation, she's probably thinking of everything on their plate, prioritizing, imagining the implications of looking into each and how far its safe to look.  And where to start.
Nobody
[Abyssal Tendril of Doom #1.]
Dice: 10 d10 TN6 (1, 2, 3, 3, 4, 5, 6, 6, 9, 9) ( success x 4 )
Nobody
[#2]
Dice: 10 d10 TN6 (1, 1, 2, 5, 5, 7, 9, 9, 9, 9) ( success x 5 )
Nobody
[Domenech: :[]
Kali
[[Daaaann.]]
Kali
[[Daaaamn, rather.]]
Nobody
The thin woman who isn't a thin woman (who is a hideous monster, the kind of face not even a mother would love, the kind of nightmare face that would send anybody screaming, their nightmares scrabbling eldritch horror Lovecraft saw one once) watches Kali for an instant. If Jack were a leader of men, but then. He isn't a leader of men. He is no Everett Stone. He is no follower, per se, but he is the kind of creature who sees his own path clearly, and while he doesn't draw away from other people he has no force with them, unless it's guile. He isn't turning on the guile right now. Still. If he were a leader of men, perhaps he'd be able to lay out a plan. As it is, it takes him a moment to reply, and when he does it is perhaps no surprise that it takes a slightly more philosophical turn.
"We spoke once about leaving, about giving up the places we have carved for ourselves, so I will not speak of that again. The plan remains the same: survive, and learn, and know, and find the true way through all these perils. Avoid the perils."
She (He) smiles faintly, sadly. "And perhaps keep a close watch on The Emergency Room. Who comes. Who goes. What happens to it now."
Kali
She snorts.  It's an entirely indelicate sound for a--oh, who the fuck are we kidding?  Kali is a lot of things, but "delicate" is not one of them, nor is "well-behaved."  Anyway, it's indelicate-sounding and the look on her face--like Jack just mentioned the old family uncle who gets drunk and makes passes at his neices at Thanksgiving--isn't any more restrained.
"I had half a mind to take several gallons of gasoline over to that shithole, strap a pipe bomb to them and leave a long enough wick to run out," she says dryly.  She isn't one of those Rroma who spits all over the place as a gesture of disdain...but in this case she makes a (bloodless) exception.  "As good as it would have seemed to watch the place go all Michael Bay Act Three with the Explosions and the Booms and the Ow, Ow, Ow, I was thinking the same thing that you were on that front."
Nobody
[Jenny: +5]
Dice: 1 d10 TN6 (10) ( success x 1 )
Nobody
(Thanks again. ;)
Kali
[[No prob!]]
Nobody
"They knew how to find our stronghold," Jack agrees, and then corrects himself. "Strongholds. It is only fitting that we now find theirs. I wonder if there is a part of the city that has seen a concentrated rise in disappearances and violence. Some place close to home. I wouldn't discount the pipe bomb eventually. A nest of monsters is a nest of monsters, if a nest of monsters the E.R. actually is. Perhaps now it will be an empty nest. How is Bo?" 

Kali
Jack suggests doing a little logical searching to narrow down where the Sabbat's headquarters are, and Kali smiles at that, nodding a bit.  It's the kind of smart thinking that comes from a clever mind.  She likes clever minds.
Speaking of which...the smile widens when Jack mentions Bo.  "She's good.  It took a little bit of calming her down when I walked in with ghoul guts on me, but once she chilled she got right on board.  She's a smart kid."  A pause, and she frowns a little.  She looks, perhaps, a bit unsettled in the moment.  "Have you ever had a ghoul before?"
Nobody
"Yes." Nice Jack. He has had a ghoul before. Even the nice ones use the blood to bind, it seems. There is something opaque about his tone, perhaps grave, when admitting to his participation in dragging daylight people out of the daylight and into the twilight. It is not shame. It is something else. Complicated. Opaque. This however is well-meant: "Are you looking for care and feeding tips? Is she your first one?"
Kali
Something about that 'Yes' from Jack, the way that she says it, draws her attention, and she nods a little.  Her own emotions about it are a little...well, off, would be fair.  She takes a last drag off the cigarette and flicks down the alleyway, watching as the red embers spark against the ground before looking back.
"Nah, I got the feeding down pat.  It's just..."  She furrows her brow, thinking about her answer for a long moment.  Choosing her words carefully.  "Yeah, it's my first ghoul.  How much does the bond really change things?  I've experienced it once, but..."  A pause, as she debates whether to continue.  She does.  "...not from the position of power."  She looks over to Jack, eyes levelled at him.  "I don't remember it changing me that much, but I had some pretty serious hate clouding the love.  How does that work with people who don't have the hatred."
It's an honest moment from the Ravnos.  Or at least it seems so.  If it really is...well, who knows for sure?
Nobody
[MAYBE I KNOW FOR SURE? with empathy instead of subt.]
Dice: 6 d10 TN6 (2, 2, 5, 6, 6, 10) ( success x 3 )
Kali
[[Just for grins!]]
Dice: 8 d10 TN6 (2, 5, 8, 8, 9, 9, 9, 10) ( success x 6 )
Kali
[[She's a wall, hard to say for sure!]]
Nobody
"Was it your sire?" Jack asks, though perhaps he doesn't expect her to answer because his gaze unfocuses. The thin woman (hideous monster [thirsting vampire, the red fear still a recent memory splintered against his cold dead heart]) looks at Kali unblinkingly for a moment. This isn't a stare. This is Jack with that unfocused gaze, thinking about how to respond to her, or picking and choosing through possible answers, or hell, maybe just giving the question consideration.
"It depends on the person. They still have their spirit and their will, driving them to whatever purpose they follow. They still will strive and live and think about thoughts that are not you. But you will replace a piece of your ghoul, and your ghoul will need it. She'll love you of course. As long as you treat her with humanity, hers will not be too endangered."
A quiet pause, brow furrowing. "So it also depends on you."

Kali
She watches him, silent for a long time.  She's not upset or angry about the questions or thinking about it; she's not anything other than blase about that.  "It's someone who made a very crucial mistake in choosing who he gave his blood to, and wasn't smart enough to live out the decade after that."  Casually said.  If it was the sire, she doesn't have an ounce of feeling about it.
Jack's comments are actually a bit relieving to her, it seems.  She apparently feared it was worse, that she would subsume Bo completely and destroy that spark.  Though that second part, after the pause, gives Kali a pause of her own.  She is silent a moment, as if the words are a riddle, before asking.
"Depends how?"
Nobody
"Are you going to treat her like a tool or like a person?" His tone is neutral. "Will your commands be deliberate or insinuated? The way you express yourself, what she gets used to reacting to, how much you appear to believe her independence matters ... if it is her independence you're interested in, of course," there, a faint curl of the too-thin woman's lips. "She'll take her cues from you. As for how well or in what fashion, I do not know."
Kali
That makes her own lip curl, back straighten.  "If I just wanted a tool, do you think I would have gone as far as I did instead of just snapping up someone else on the streets?  Jesus."
She looks 'her' over, the offense dissipating as quickly as it rose up.  A quick flare of anger, nothing more.  She doesn't apologize for it; she just nods in gratitude.  "Thank you.  For the advice."
Nobody
He weathers the quick spark-flare of Kali's offense, maintaining neutrality. He doesn't seem to expect her to apologize, or to realize that in some more human cultures an apology would be expected like some kind of conversational punctuation. "Welcome."
"Now how about you show me this television and -- what did you call them," maybe she can see the spark of humor there, the fact that he's putting her on, maybe not, "DVD discs? -- tell me where in the screen you insert them."
Kali
Kali, on the other hand, knows full well the human cultures in which apology is expected for such incidents.  But they are not humans.  They have very different social mores.
She smiles when she brings up the TV and DVD, which quickly turns into a grin.  "Oh Jesus Christ.  C'mon, I'll show up.  This could get tricky."  She nods with her head to the end of the alleyway and starts to walk there, to lead him off to what will be a involved (and possibly repeated several times) conversation, departures and well-wishings, and then a trip back home on her own.
Nobody

[ROLL CREDITS.]