Introduction

Being the adventures of Jack the Nosferatu, Lux the Anarch, Táltos Horváth the Dreamspeaker, Adam Gallowglass the Hermetic, Tamsin "Cinder Song, Furious Lament" Hall of the Fianna, Mary the Silver Fang, Jane Slaughter the Mortal, and various other ne'er-do-wells in and about Denver.

Sunday, March 30, 2014

Games

Harald

[Er, let's Mask this out of the way though. WPing it, 'cause. But we'll see if it's enough. If it's not, skip to the next night! Hah. After phonecall. Phonetag. Yes.]

Dice: 8 d10 TN6 (1, 5, 6, 7, 8, 8, 8, 8) ( success x 7 ) [WP]

Harald

[FINE, JACK. FINE, I AM ALWAYS PARANOID FOR NOTHING.]

Molly Toombs

The last couple of days in Denver had been beautiful. Jacky couldn't experience that, not the bright blue of the skies or the warm baking of the sun on your skin, but he could smell the sun on the people when he came out after nightfall. He could still feel the earth and the concrete warmed from the lovely spring days.

Molly has, for the most part, been taking advantage of them. She's been in contact with Jack, mostly by texts because that's how kids keep in touch these days, but occasionally by phone call. They've visited here or there, but no adventures, no big secret reveals, not lately.

He usually got a text every other day or so. She thought about him a lot. He would understand-- it was his own doing, after all.

Tonight, though, she called. It was around eight in the evening when the phone rang with Molly's name tagged to it.

Harald

Jack.

He would understand even if he hadn't blood-knotted her to him, blood-tied her, Vitae-braided, you to me, me to you, be trustworthy, be trustworthy, be trustworthy. Jack, after all, is a persuasive creature, words of honey to lure all the little flies; Jack, when he was alive -

well, there was no Jack when Jack was alive. He had a way even then. That's how you do it: natural aptitude, and then the hook. The certainty. The caution: oh, Jack. He wants all the day-walkers to be sun-warmed forever; he wants them to live; to be happy; to build things, to -

There's so much to be discovered, and to be seen, and to believe in. There's just so much: so much more.

The human spirit. Goodness. All that.

But what does that matter? It's around eight o' clock. Jack is awake for the night, and he might have plans, or he might not. He sees who it is on the caller ID; takes a moment to compose himself. To pick a Face; to pick a voice (always honeyed, though; Jack). To use it.

Answers.

"Hello, Molly!" And sounds pleased to hear from her. Not shy, even over the phone.

Molly Toombs

The line picks up and there isn't anything for background noise on Molly's end. She doesn't sound like she's on the bus or walking the sidewalk, there isn't the rumble of traffic engines or the chatter of public to be picked up on. Instead, she was at home. The kind of quiet she had could only be found there or at an office.

She sounded relieved that he'd answered when she spoke: "Jacky, hi."

Initially, just happy to hear the sweet voice. Then she pressed on. First, pleasantries. A brief episode of 'how are you doing, has everything been well', that kind of brief catch-up. But through it Molly sounded like she was holding on to something-- a question, perhaps, or just something that she had on her mind that she wanted to say.

She'd lead about to it herself in a roundabout way by switching whatever topic they were briefly visiting on to say: "I'd love to see you again, Jacky." I've missed you. "We should plan to visit."

Harald

"Do you have a shift tonight? We could meet up in about an hour if you're not too tired. It's a nice night."

He sounds enthusiastic, but not energetically so. Jacky is matter of fact about these things, isn't he? It goes along with the not being shy; not socially aware enough to be shy, usually. The only time she's ever seen him uncomfortable like that: it was when he was confessing to her.

His own brush with the supernatural has not made him afraid of the dark.

Molly Toombs

"As a matter of fact I was hoping you would say that."

She sounded as though she genuinely did. Fabric rustled and somewhere nearby a puppy gave a sigh-- Molly had been settled on the couch with Flo but was now getting up. She was given the time frame of an hour and would want to at least get more ready than her threadbare jeans and the T-shirt she had been wearing while doing laundry at the nearby laundromat earlier in the evening.

She considered the options of where to meet. It was a nice night, but there was a certain discomfort to the air that night. She'd been left alone with her own thoughts all day long and had a visit from Flood the night before. She'd taken the business cards out and lined them up again and then gone and watched something mind-numbing on the television to take her mind off of everything that she had been dwelling on.

The fear of the sunset, for one. The want for comfort. The fact that she thought of Jacky, strangely enough, when that desire came about.

She'd succumbed to it just over thirty minutes in.

Jeeze, Molly.

The thought of being out in public had her a little worried too. She didn't want to have to limit what she was talking about around nearby ears, and she was a little concerned for having unwanted visitors just happen by if that was a thing that was going to be happening in her life again. So, she'd suggested:

"Is my place convenient enough tonight? My balcony manages a decent mountain view from one side. I have the chairs set there."

Harald

It's not easy to read nuance over the phone. People's expressions are hidden: one only has their voice to go by. But sometimes that makes it easier, too. A pause, as if Jacky is thinking, and then he says, "Your place it is."

He asks her to remind him of her address if he's met her there before (perhaps for a walk with Florence) or he asks her for her address (if so far they've only met away from her home). He offers to bring a dvd because that's a normal thing. Knowing Jacky, it'll be -

well what kind of movies or television shows would Jacky be into? Probably documentaries. Once that's arranged, he tells her that he'll be there as soon as he's showered, and that's that.

That's that until he arrives at her apartment building, either waiting outside to be buzzed up, or perhaps the door is open, it isn't as secure as some apartment buildings could or should be, and he finds himself knocking on her door instead. Jacky; she knows his face well now. Pigeon-chested, thin-shouldered, sandy hair a-curl around his ears and it would be adorable if it weren't just unsuitable to his werewolf-browed face, intent but ugly, intense but ugly, oh, that's Jacky isn't it just.

Look, he brought a treat for Florence.

Molly Toombs

They'd met on the corner in front of Molly's building once before. Jack knew what it looked like. A tall brick thing, five stories up, with white trim and balconies. It was called The Brookstone Apartments, or so proclaimed the sign above the door. When he agreed and asked for the address, Molly happily reminded him. She gave the apartment number as he would need to find her buzzer to be let on up.

Therefore, he would knock on her door, but only after first buzzing down on the front steps of the building. There was no elevator in this building, so he would take the stairs four flights up (she took this every day, it was good to know she was probably fit enough to run for her life if the going got tough at least) before knocking on the door marked 4D.

Molly answered dressed in clean jeans and a newer, cleaner blouse. Hair and face clean. Make-up. Like she always would, at least. Florence was there to greet him too, tail wagging. She was getting bigger from when he'd first seen her, growing longer of limb and bigger of body. She would be a sizable beast when she was done growing. He could understand why Molly picked her out.

"Hey! Come on in." She'd step back and invite him. The front room extended all the way back to the living room-- the apartment built narrow and deep. The dining room straight ahead, kitchen to the left and separated from dining by an island counter. Living room deeper and beyond that. A door to the right, further in, that went out to her balcony.

A window in the dining room was open. The door to the balcony was too, but a screen door was closed. Inside, the floors were hardwood and some brick was exposed. The place was old, but clean and updated where necessary when necessary.

"Thanks for coming by. I kind of figured we could just be out on the balcony before it starts to get cold--" it was warm in the day and early evening, but it is still March after all, "-- then probably come back in?"

Harald

He has on that jacket with the leather elbow patches. A scarf but the scarf's untied, a little haphazard, a little absent-minded. But it's pretty nice outside. He doesn't need much more than the light jacket and the teeshirt he has on underneath. Corduroys. He looks like he's a youngish man but not exactly a fashionable one. He goes to his knees with just a little bit of wobble when Florence comes over to say hello ruffing Florence's jowels and scratching behind her ears. A bit of rough-play, Jacky being good with animals, meeting the creature's eye and smiling, soothing, soothing, oh Jack and the beasts, he likes them. He is differently comfortable with them than he is with the creatures he used to call himself one of. Animals have blood too but they're not half so appetizing, not half so filling. And it's just not the same. He brings out the little plastic baggie of dog treats and offers Florence one with a grave air, like Florence has her dignity doesn't she? Serious puppy.

And when he stands, there's a bit of wobble too. Jack. He looks around. He looks around curiously, and so This Face does too, although the surprised smile (astonished, bemused; that's all it ever seems, huh? Makes of his face) is for Molly because there she is. Molly and Flo.

"Nice looking place. Old buildings, huh? I enjoy them." He is a good guest. A polite one. Jacky. He follows Molly where she wants to take him. "Balcony sounds nice. Something about a view of the mountains?"

If Jacky were more aware, he'd probably hug Molly, but Jacky is the kind of young man (Face [Mask]) who thinks about these things afterward. He did bring DVDs. Joseph Campell and the Power of Myth Bill Moyers style, because that's how Jacky rolls.

And Game of Thrones, Season 1. Go figure.

Molly Toombs

The apartment, Jacky could tell, has been lived in for a while. It was simply well organized and put together in a way that suggested as such. When someone only lives in an apartment for a year at a time they don't put much up on the walls, they don't care to take the time to consider things like entrance tables and coat hooks on walls and color schemes to the curtains. She liked her place. One could see why she didn't really care for the idea of uprooting and fleeing when that suggestion was offered as a method for escaping the reach of the Undead whose eyes lit up for her.

"Yeah, but they come with their ghosts." She gestured upstairs and grinned lopsided. He'd recall the story she'd mentioned of the bumps and thumps from upstairs. "I haven't heard anything in a while, though. I think it's pretty much settled down. I don't know, maybe it just happens when it's empty for some reason?" She shrugged, dismissive of the thought process as a whole, and checked out the DVDs that he offered. She didn't seem to pay them much mind-- she was pre-occupied, see. Still with that sense of something on the tongue, a question or statement, or a building to it. A something left unsaid.

She set the movies on the counter and circled around the island counter into the kitchen. Getting glasses from the cupboard-- assuming he would take one with her hands and actions, but still glancing back to confirm from him that he would accept one.

"Yeah, between the buildings you can see the mountains." The balcony faced west. "It makes for a really nice sunset. We missed that, but maybe another time." She smiled, unaware of how little a possibility that was.

If he accepted the glass, she'd pour two and lead them to the balcony.

Harald

He does accept the glass. He accepts the glass and he doesn't wander. If Molly has a bookshelf visible he might seem tugged that-a-way, invisible force. If Florence dogs his footsteps, or there's some kind of rope-y chew-toy around, he might play with that a little. He hmms when she recalls the story about ghosts in the apartment above. Says, "Perhaps they found their reason for staying tethered to this realm no longer applied. Perhaps something changed for them. A relative moved on, the building manager fixed something he had always promised to fix. You don't know how long the apartment has been empty, do you?"

Because this is Jacky, after all. He's going to be interested. He's also going to seem not to notice much else except the interests until he's reminded. He isn't thoughtless: think of that necklace he gave Molly - think of how pensively he listens. But it seems to take him a while.

But where were we? Where were they? Going out onto the blacony, Jacky with a glass in hand, and if Molly looks closely (if she is sharp), she'll see that he spoke the truth -- if her eyes weren't playing tricks on her. Jacky has no reflection; the glass shows nothing at all.

Outside, Jack looks out at the dark mountains. Thoughtful Jack. Turns to smile his astonished-and-surprised smile at Molly, and it's only once they're sitting down or both leaning against the balcony's edge that he says, "Ah, forgive me, but are you well? You seem ... Unhappy, perhaps."

Molly Toombs

"Oh, it's not empty anymore. It was only empty for about a month, maybe close to two before it filled up. These buildings are a pretty good deal-- a nice little piece of history that doesn't cost too much in rent, and is close to downtown." She was pleased with her apartment-- she'd been excited when she found it and moved in about two and a half years ago and she was still content with it. It showed.

There was a rope toy laying about someplace, and Florence was happy to play when invited to. She liked Harald who was Jack who was lucky. She would follow if he leaned to check out a book shelf, for there was one set up right near the door headed out to the balcony. Some medical texts from school, some fiction for reading, geography and travel information, and an increasing number of occult texts to fill the gaps. They were beginning to overtake the rest.

As they head outside, Molly's eyes did linger on the glass in the windows framing the door-- sure enough, no reflection. Much like Flood. But there was only a thin connection there, as far as Molly was aware, between the two men. She flexed her brow semi-thoughtfully, and moved to settle into one of the two chairs. She sat nearer to the railing, leaving the chair closer to the door for Jack to set into instead. She'd managed to take one sip of her wine and settle her eyes on the dusk-dark night view of the mountains before a question was posed-- What's wrong, Miss Molly?

She blinked, then looked guilty and cleared her throat.

"I do? I'm sorry. I've been... distracted, I guess. A bit worried." She fidgeted her fingers around the stem of her glass and looked into the red within, watching the twirling upset the surface of the drink. "Kind of why I called you over, to be honest. I like your company." Her eyes hopped up to his face here, and she smiled-- genuine, but forced because she was worried and unhappy.

"But also because I kind of just wanted company in general. Florence is still a little small to be much of a guard dog."

Then, because it's unfair to just leave someone hanging on that ominous note, she sighed and asked, flatly: "You've gone out on a limb and told me something crazy. Will you return the favor for me? Will you try to believe me here?"

Harald

He is not a handsome man. He'd never be. Even if he plucked his damned eyebrow and groomed more carefully. Molly's seen him less dishevelled and rumpled than he is now and it hasn't made much of a difference. Genetics weren't kind to the young (middling) young man (middling height, too), whose walk is a lopestery walk and who does seem to see her when she talks to him. As soon as he's done theorizing.

Her genuine smile finds an echo on Jacky's face. A warmth in the eyes, because even the most distracted of people like to have their company liked, huh? The warmth is countermanded by sober acknowledgment of Florence's status as a guard dog. Florence: who she'd bought to guard or at least warn against just such creatures as the night kingdom-dragged monster who changes his faces night after night sitting across from her.

But she didn't know that some of them could charm the very beasts.

He sits up a little, thin shoulders hunching, having folded into that chair awkwardly, slipping too low in it like he doesn't quite fit it: ill-fitting, tht's the word. But now he sits up a little, resisting gravity's pull, and he says, "Of course I will, Molly. I like your company too, and I wouldn't have - "

Pause. "Of course I'll try. Equal, ah, partnership is what I said, wasn't it, if you need it."

He is quite sincere.

Molly Toombs

Jack was an unattractive man. Molly used to look more disheveled-- the black hair hadn't really suited her at all. Neither had the dull boredom. But now there was more light to her, more fire and purpose. That suited her well. So did her return to red hair-- she was far less washed out. Looked more warm, even if her skin was light and her sunkisses were freckles instead of a healthy tan. It was a curious thing when they out together, her dressed to impress and him genuinely trying. He must be very rich.

Or very nice. The second was the case as far as Molly was concerned. She didn't care about his strange eye or narrow chest. He smiled back and sat up straighter and was sincere in assuring her that he would listen, he would try. He'd be true to his word. Good and Noble.

She nodded and sipped her wine again, then looked out at the mountains. It's easier to say crazy shit to the landscape than it is to look someone in the face and tell them your madness. She didn't want to see the moment when he wrote her off as crazy if that were to happen. She felt a deep, strange, dizzying and surreal sort of longing for this man. She didn't want him to go.

"I actually have... seen, first hand, a lot more than I've ever let on to you. Many of these things we talk about in theory? I'm... actually, to an extent, talking about in all practicality."

Sip. Liquid courage.

"There are monsters. Tangible ones. Not just the ghosts and the things on the other sides of mirrors. Things that can hurt you." Her eyes flickered-- part of her wanted to gauge his reaction, but she was stern in keeping them forward and continuing. Out with it. He deserves to know.

"There's a few of them that... Well. They know my name and face, we'll suffice to say that. I don't..." Sigh. Spit it out. "I don't want you to get caught up in anything, and I don't want anything like this to come out, you know, later."

Harald

Molly is looking at the mountains. The mountains are sentinel darkness against other darkness. The nights have been cloudy, rain-soaked lately. They are not troubled by rain just now but it is in the air, and they can both taste it. Jack does not drink water any longer. He doesn't remember what water tastes like unless it gets into his mouth while he is in the World Below, the Beneath Kingdom, the Domain of Rats and Darkness. And that is foul water, would make anybody retch. Usually he just keeps his mouth shut. Doesn't need to breathe, after all. How easy it is to forget the mouth, except of course for feeding. Blood requires teeth requires tongue. Molly is looking at the mountains.

Jack is looking at Molly. His brow is creased, troubled. Creases more sharply as she speaks. He knows that she knows more than she's let on to him. He's seen her reactions in certain situations. He knows, doesn't he, that she is untrustworthy, but she has a good heart.

A good heart's the key. A key. A good heart can do anything, can't it.

So she tells him there are monsters, and he doesn't interrupt. He surely understands how difficult it is to confess something like this. Something important and true but something also that sounds so strange.

"Molly, I..." He trails away. "I'm listening."

Go on. He's making no promises, but if she did glance over at him she'd see a slightly anxious expression, dominated more by (Cavalier [Valiance]) a measuring analysis. The lucky Jack she knows is Jack in truth; figuring things out, putting them in a place, clever. There's a problem here to unknot and riddle. Perhaps she just needs someone to talk to, but maybe there's more.

He'll figure it out.

Molly Toombs

He said that he was listening, and she looked over at him with an expression that was pained and grateful and lovestruck and inconvenienced all at once. She didn't know how to continue on in explaining, but he was listening to hear more. She wanted to reach out and touch his face with its patchy hair and well overgrown eyebrows, but instead she kept her hands to herself.

She did have a good heart. That's why she was trying to warn him.

"I just... I don't know. I'm trying to give you a fair heads up to pull your investments and bail, I suppose." She frowned. The phrasing seemed abrasive and she didn't mean it like that, he didn't deserve it like that, but she continued anyways. "There are monsters. And there's magic. And ghosts are real, a lot more so than just bumping sounds in the attic. They grab you and overtake you and try to kill you and--" Her voice strangled, just a little. She was stressed, frowning and stopping because she could hear her own words going faster as her anxiety grew.

Deep breath. Try again.

"Vampires, Jacky. I think they're going to be the death of me. I don't want you to get sucked in too."

Harald

Molly isn't trying to hide (very much) what she is feeling and Jack is receptive to it. He is so regretful, Jack. This is what happens when they get drawn in. Those who're meant to walk in the day, who're never meant to be lost in this Otherworld. He is so regretful, Jack, listening as Molly speaks, as the anxiety makes her pulse quicken, a tempo, a call to a meal. Molly doesn't know it but until now most of the vampires who have given her tidbits of information or discovered how deep she is haven't been vampires who actively enforce the Masquerade. But Jack does call himself part of the Tower. He does consider himself part of the Castle. Another reason, then, for that blood-knot. This anxiety she has: maybe he can turn it into a Minotaur, tuck-it-away. He doesn't have a Discipline to do so (yet), and if he did, who's to say whether he'd choose to touch upon that Canny Charm?

For now he holds out a hand. He'd reached out himself when he'd begun his confession even if he'd taken his hand back. Then reached out again. He holds a hand out to take hers if she wants to. Kindles his blood into warmth enough for the purpose.

"Molly," he says, because a Name's a thing. "I don't want you to be sucked in as you seem to be. Now," a surprisingly sweet grin - his grins are always surprisingly sweet, for all his voice is a touch grim, "that we know what we don't want…" He trails away, hesitates. "Why don't we talk about things as they are? Why do you think they're going to be the death of you? Have you been threatened?"

Molly Toombs

The hand held out is looked at, and accepted happily. She found it warm, if fuzzy on the knuckles, but she slipped her fingers through his and gave them a small squeeze before resting simply to be linked in the space between the chairs. Her other hand still managed her glass of wine. Still carried it up for occasional sips.

"Not directly, not really." She furrowed her brow. "But I know how they are. How they can be, at least." She licked her lips. "How these ones have been." Again, she was making disjointed thoughts instead of coherent ones. She was a little frustrated with it, and tipped her head back so her chin pointed up. Looked at one of four planters that were hanging from the ceiling of her balcony, over the banister railing to the front.

"I know that this is all supposed to be hidden from me, but I saw something. And then I looked deeper. And I've been looking since." It sounded like she was confessing something she did wrong. She knew she should have walked away, and acknowledged that she was in this position because she didn't. She was at the stage where she was upset with her own mistakes but coping because she couldn't change them. Or she didn't want to. "I'm worried that someone's going to decide it's too risky to have me just walking around, knowing what I know, being unmonitored as I am. Though I'm not confident that I am unmonitored, which is kind of the point I'm making I guess." She laughed, and the sound was nervous. She looked over to Jack and his homely face that she found so sweet anyways.

"You're pretty open to taking this seriously... I mean, losing a reflection is one thing. Ghosts are one thing. Vampires... that's Hollywood, don't you think?"

Harald

How pensive he seems. He doesn't even answer her immediately. He is that far-off with his thoughts: whatever they are. He is considering, considerate. Jack believes in so many things, and few of those things are coincidences. Luck, why, yes. Luck and Fate: of course. Her small squeeze of fingers is returned. He couples it with a thumb-stroke: be comforted. Be comforted. Blood to blood. She won't be comforted because she is in a trap of her own fashioning, feels that her days are numbered now because of it. He doesn't tell her otherwise just yet.

His werewolf's eyebrow is pulled low as he thinks about what she said so much so that at first he doesn't seem to hear or to take in her last question as anything but rhetorical. Then he realizes, and his eyebrow(s) loft. "Ah, Hollywood? Not at all." His voice is quiet. "Because you've felt the lash of this particular trouble personally, do not discount the horror of other troubles." Meaning losing one's reflection, meaning whatever it was he saw in the Dark, whatever it was that took it from him.

Meaning, gentle, "And I've dug around quite a bit on my own. I believe in vampires because, ah," and now he sounds bemused. "I have met them. I believe. I feel as if I've been looking ever since..." He trails away, and this time there is something wistful there. Wistful then gone. Perhaps imagined. "So I've learned some things, not all of which I've verified with fact. I'm building a map, or so it feels to me, a map to show me the way out, if there is a way out, and if there is not? Then it is a map so that I know where I am going. I... May I ask you a hard question?"

He doesn't usually ask if he can ask a question.

Molly Toombs

"There isn't a way out."

She said this simply, quietly. The street that Molly lived on didn't get a lot of traffic, though it was close enough to the city's center that the ambient sounds of city and highway couldn't be completely blocked out. It was quiet enough, though, that her soft voice wasn't missed, not with their proximity out on the balcony like this.

A thumb stroked at her fingers. Her heart skipped a beat. But she didn't fluster like a school girl, and instead somberly finished her glass of red wine maybe a little sooner than she ought to have. The now-empty glass found its way to the table against the wall.

"That's what I've been doing, though. Trying to find enough to know how to navigate. There isn't a way out because it's everywhere, though." Pause, then her tone shifts to almost apology. "You should know that if you didn't already."

Then, he wanted to ask her a hard question. She met his eyes and blinked, curious.

"Of course."

Harald

Molly says there isn't a way out. Jack does not believe that. Jack is, at the core of who he is, a creature who does not believe that. There is a way in, and there is a way out; there is a way to change things, to make them better, to fulfill the - there is always a way. This is not to say he is foolishly optimistic: that he truly believes he will find his way out. He believes he might. There are no guarantees.

"What is the ideal outcome to the problems you've just enumerated for me? What do you, ah, want from Them and from yourself? You say that you are also trying to make a map, to learn how to navigate; for myself, it was to find what I lost, to undo the curse. What is it for you?"

He sounds genuinely invested; concerned. But not - judgmental.

Molly Toombs

The question was a hard one-- not because it gave her any kind of moral dilemma or made her have to make hard choices. It was very introspective is all. She looked out over the city, absently rubbed fingertips to his, and mulled it over.

Finally, though, she would answer.

"Surviving, I suppose. Now that I know they're real, I can't ignore that they're around. Now that some of them know who I am and what I know, I can't afford to just ignore everything and hope it goes away. Because it won't. If I better understand what they are, and more importantly than that how they are, in every sense, then I have a better chance of understanding how to keep myself from being killed by them."

She felt a little guilty, bringing such a terrible conversation around. But it did feel better to be honest and have it out in the open.

"I was just curious at first. Now I'm trying not to drown."

Harald

"Will you tell me..." He trails away, and then, "What do you know about them? How many know who you are?" A pause, a startled-sounding chuckle. "How strange it is to ask questions like that."

Molly Toombs

She shook her head, and appeared just sad. Simply, utterly sad, when she looked over at him. Apologetic, really. Like she's breaking news that nobody wants to hear.

"It's better to not really get into a lot of detail. I'm not going to call you over to help me feel like my apartment doesn't have monsters in its corners, to warn you about the shit I'm involved in just to drag you in along with me." She looked at her empty wine glass. Contemplated another. Remembered how she got when she decided to have another drink while being sad around Devin and decided against it.

"I can tell you that it's layered, how things with them work. That it's full of the impossible, but it's got its rules and if you know those you can use them to your advantage." He could glean that she wanted to know more about these rules. She spoke about them like they were a goal, or fruit on the top branches of the tree-- out of reach, tough to get to, but she'd find a tool and find away because she was a child of Man and a child of the Sun and they did thing like that.

"I'll tell you that there's a number of them. More than I can count on one hand. And those are just the ones that I know-- there's more. I'm sure of it."

Harald

"Molly," he says, still gently. Perhaps he is going to push. Perhaps Molly gets the feeling that he is going to push right now. But then Harald who is so Lucky he's called Jack for jackpot.

But then he doesn't follow it up with pushing to get more specific details out of her. He takes a deep breath, holds it. Exhales. Looks thoughtfully at the mountains, gazing at them as if they've got answers.

"If you do ever feel ready to speak with specificity, I will listen. And I am a good keeper of secrets. No witch-hunters yet. Ah. I want to give you advice but if you'd rather watch one of the DVDs first, I understand."

He is trying to understand, anyway. He is clearly trying not to worry at this like a bone. Molly knows Jacky who is Harald, doesn't she? She knows how he gets about an idea.

"But what advantage do you imagine getting by knowing more rules? If you're not supposed to know them, when confronted by those who do... those who are within the system, if you will ... hypothetically how would that work?"

Molly Toombs

He said her name, and she wanted to flinch but didn't. She startled on that a little bit too, because it wasn't typical within her nature to want to flinch or to feel shamed when her name was used gently pushing and pleading like that. It was a tone similar to what her parents would use with her as a teenager, and she had solemnly ignored it when set to do so as she was set to try and do with Jacky.

But there was something deep here with this homely young man. She loved that he was holding her hand. Out here on the porch, with only the ambient light from the street below to make them visible as shadows above in the night, she was so happy that his fingers were warm and that they were between hers. That he was listening to her, offering his advice but asking for more details for better understanding for better help. Details that she was so reluctant to give. That she nervously hid in a box somewhere in her bedroom because a journalist that she also loved nearly snuck away with them while she was drunk and easy to take advantage of. For how much that had hurt her and her trust.

"That's the part that I'm stuck on," she chuckled sadly. "I'm just trying to avoid any authorities. Work only with the vagrants. Make friends, or alliances. Do favors and maybe have some favors owed so that when this inevitably all falls down on my head like I know it will--" like any mole knows if their tunnel system becomes too complex and their support beams too thin, "then I can have someone to help pull me out of the rubble at the very least."

Harald

Jack doesn't answer for a long moment. It's another pensive moment. If Molly looks at the youngish man she knows, the one with the glaucoma in his eye, the pupil distended like a devil got caught inside was trying to get out (no, that's just poetry; it's nothing like that. It's just startling to see, ugly), she can see him looking at the darkness and the mountains again, just looking at the shape of them. Breathing, quietly. Carefully. He doesn't know that she has a box inside her apartment filled with business cards. But mightn't he later hunt around her apartment, anyway? Dangerous. He doesn't want to feed off Molly and he tries to only feed from people who are asleep. A nightmare of a Jack: but coming like that and isn't he a good dream. Prick of euphoria, ecstasis - overwhelming sensation. He doesn't want to feed off Molly but Jacks are for clues and investigatings, aren't they?

"How are you going about letting them know you're friendly, willing to do favors?" he asks. "Without naming their names."

He sounds like he might have an idea, but he's unsure. Or not unsure - Jacky, Harald, he's rarely unsure; once he says a thing at least he thinks he knows it. He's not so hardheaded he's unwilling to, when given another perspective, revise his own.

He's always willing to revise his own perspective.

Molly Toombs

"I don't know....," except that she did, he could tell, because the way that she used the words was as a filler for while she tried to think. Think back to when she met these people, how she spoke with them and maneuvered with them to ensure that she was able to walk away able to reach out to them again if she wanted to, without any of her blood lost or her health damaged at all.

She squeezed his fingers a little at a particular memory-- a shadow across her fate's path, she worried. Again breathed deep through her nostrils so her chest filled and swelled and then she exhaled slow and closed her eyes. Easy.

"I just.... beat them to the punch. I recognize them when I see them. I call them out for what they are. That alone seems to stop them-- they're interested that I know. But none of them really seem to want to... report me? I guess? They're just... intrigued. Which is dangerous, but it's better that than to be dead.

"Or kept for dinner." She frowned at that particular fate.

Harald

"I don't think 'calling them out for what they are' is a wise response," Jack says. "At least, not should you meet any new ones in the street or a bar or where-ever it is you have been meeting them. So far it sounds like luck. I believe in luck, but only to a point. Ah. After that point, one must be clever, mustn't one?" Musing. "There must be a reason that they haven't come forward to tell the world what they are; that they exist. If ever there was going to be a time to do so, wouldn't you think it would be now - or soon?" A pause, a frown. "Perhaps that is optimistic of me."

Molly Toombs

"Jacky, the alternative is to be made prey." She sounded pained when she told him this, looked at him with eyes that pleaded for understanding. Please, hear me out on this, they said.

"I'm not just walking up to these people in bars and bookshops and telling them 'Hey, I see what you are, and I just wanted you to know that'." She sounded exasperated. She would probably regret it later. But for now she continued to try and explain her stance. "These are in moments where I'm caught off-guard behind an art gallery where no one would hear me if they decided to come down on me. When I'm alone on a street trying to walk home. When they've already seen me and started to walk with me, talk with me, try and pick me out of the crowd." She breathed deep and intentional again, and let go of his hand. This, only so she could lean forward and press the heels of her hands to her forehead, settle her elbows onto her knees.

She wasn't crying-- there weren't tears in her eyes. She just looked stretched thin and lost. Struggling to keep the pieces together and the strings connecting dots on the map from becoming too tangled.

"I don't know why they don't show themselves. Probably because then they'd have to either wage war on the things they survive off of or abide by their rules, and none of that would abide well by anything with that kind of power and freedom already." She chewed her lip, looked at the dusty floorboards of her balcony. "Probably a matter of sheer numbers, but if the predator starts to outnumber the food supply then that creates a whole other problem that can't be undone either." It's a stream of consciousness, he can tell. She's musing aloud with him, as she has so often done. It's an easy thing to fall back to.

"No, I don't think they plan on showing themselves or anything that they do. I think the reason I haven't been.... taken out, I suppose, is because the ones I keep running into may have some concept or plan for how they could use me."

Harald

[Percept + Empathy. Are you ABOUT to cry? Holy shit, gentlemanly midwestern upbringing coming to the fore.]

Dice: 6 d10 TN6 (4, 5, 7, 7, 8, 8) ( success x 4 )

Molly Toombs

So, maybe she might be about to cry. Not dangerously close. But one nudge nearer the edge would probably have tears spilling.

Harald

Molly lets go of Jack's hand. Jack turns so that he is sitting side-saddle on the chair. Sits so that he is facing her, his knees turned in her direction. Molly is not crying. Molly is not about to cry. He looks at her like he's wondering whether or not he should hug her, but he doesn't hug her. Before she hid her face, he'd still seemed to be listening to her. Analyzing, considering, weighing. He still seemed to have an idea, but be so easily pushed along a tangent. This isn't theoretical; this is happening to her. But as she tries to work things out, so does he. Jacky who's Nobody at all. Nobody who she wants to know about, not really, not now, not after this. When he un-knots her, Jack, he'll need to find a way to do it gentle, but if she's so determined to wade deeper into this Otherworld --

He nods a few times, thoughtfully, as she explains her reasoning for why they don't show themselves, and when she's done he says, "I didn't mean to imply you were being that bold. But if they never approached a pretty woman just to talk, they'd have a harder time with hiding, wouldn't they? Just walking. Just talking. To them, you must be just another way to pass the time. Might be," he corrects himself, sadly.

"Would you allow yourself be used if it was in service of an alliance? Of protection? Perhaps you can offer something upfront. Ah, not too upfront, I was just thinking..."

"I would like to help you." Apologetically.

Harald

There is a clear disconnect between 'I was just thinking' trail-away and 'I would like to help you,' as if he wants to preface anything else he might say or allow her to tell him to be quiet Jacky what do you know all you've got is a missing reflection.

Molly Toombs

The question he posed had her knitting her eyebrows and moving her hands to rub between them with the pad of her thumb. Her fingernails were well cared for. Recently painted-- a bright blue. Bright, happy, welcoming springtime. Not at all the kind of blue to match this kind of gloom. This was a gray kind of mood instead.

He asked if she would allow service in trade for protection, and then added that he wanted to help her and she cast a glance to him as though to try and find deeper meaning to his expression that he wanted to help.

The survey ended, and she sighed and put her hands on her knees and pushed herself to sit up straighter.

"If it came down to it. I don't really want to... like.... openly declare any allegiances. If I go through one door it closes all of the other ones. But if I can't just stand in the foyer anymore-- if it comes down to it and I have to seek shelter, then I probably would, yes."

She sounded a little ashamed to admit it, but she did so hate to lie to Jacky sweet Jacky.

Harald

"What are they like, the ones you've met? Are they all frightening and beautiful?"

Does he sound wistful when he says 'beautiful'? He does not. He sounds curious, and like he doesn't notice her shame at the admission.

Molly Toombs

She looked a little surprised by the question posed-- if they're frightening and beautiful. She had to pause and think about it. Maybe she realized something in that thought, because she appeared to be considering the concept as she answered quietly.

"Most of them, yes. They're all very frightening, because even the ones that are sick and crazy can kill you in a heartbeat. Some are beautiful, very much so. They just seem rich even when they aren't dressed up in expensive brands, though for some reason a lot of them do anyways." Decadent was the word she was looking for. "Well, some, but not all.

"Others just look like people. Others look sick. Some look just... sad and lost."

She frowned sympathetically-- probably remembering one person whose name she probably wasn't going to give him tonight specifically.

"But they're terrifying. I don't trust them."

Harald

"I don't think you should." How frank is Jack at this particular moment. He doesn't think Molly should trust them. He sounds pensive as he says she shouldn't. Pensive and he's not looking at the mountains now, but slouching over his own lap, elbows on his knees, fingers together. No; fingers apart, because he scratches his head, the curls that only curl a the end so they're awkward, unsuited to his head. "Because… They can't trust you, I think, because you don't know where you stand in their world, and you … You want to know where to stand without picking your ground. Playing with alliances for just in cases is perhaps well and good. I think it must be! That's how networking works! I don't know what I'm trying to say. Only don't trust them I suppose. It does make sense that there would be quite a variety." There it comes, again -- that occultist's interest, catologuing, Darwin of the vampires. He swallows. "I've come across... Ah, well, in my own research into my problem, I told you I believe in this so readily because I've found things myself. I've found names. Perhaps we could compare impressions that these names leave with us?"

Molly Toombs

Molly looked at Harald with clear surprise on his face. He had names? The reaction to that revelation, as well as his request, had her jaw going a little slack.

But, love-knots and blood-ties. She swallowed, fluttered eyelids, and stood up.

"I'm going to refill my glass before we do this."

Something about how she went inside suggested she wanted to be alone when she went. Not suspiciously so, not necessarily. She was stunned in a way that he knew some of these people too, that he was actually that familiar with vampires already. She wanted to go inside to process and gauge how she felt about it.

Harald

"I'll be here," he says, because that's something Jacky says, moving like he's going to get up too to be polite, though not like he's going to follow. Perhaps he senses that she wants some pace to consider things.

Molly Toombs

The windows are open, kind of. Not completely open, but not shut tight enough not to be peeked through in spaces and angles. He can see her, if he chooses to observe, as she goes to the kitchen and refreshes Florence's water and gives herself some more wine. Drinks some of it. Sets the glass down and puts her hands on the counter and lets her head hang between her shoulders as she leans forward.

Then, as though resolving herself, she stood up and brought her glass with her back on the porch. She looked almost apologetically at Harald.

She didn't sit in her chair this time. Instead she propped her rear end against the banister and stood somewhat leaned somewhat seated against it. Those who were nervous of heights might chew their nails for her, but she seemed confident with it. Standing with one arm crossed over her chest, under a heavy bust, to cradle the opposite elbow. Wine glass cradled by its bell on curved fingers. Looking pensive and ever-worried.

Braced.

"What are we comparing, now?"

Harald

The mortal (thrall) returns blood-knotted honey-led but her will is still her own isn't it (yes [influenced]), and when she returns Jack looks up. He'd been studying his hands and his fingertips while she went into the kitchen. He'd watched her coverty (such a good spy [Nobody]), but watched his hands more. He is thinking, true, at the heart of who he is. Jack of Nobody. Jack of the Nosferatu. Nosferatu's Jack. Lucky Jack. Jack of Diamonds, never Spades. His head's hanging a little. But when she returns, it comes up. Adam's apple leaps, swallows before he replies. There's less wine in his forgotten glass. Molly braces herself against the porch's banister and Jack is more comfortable (if that's the proper word) in underground lairs in Below Ground kingdoms, but he doesn't have a fear of heights. He doesn't think she needs to step away from there right now.

"Names that I have come across, specifically whether or not they match any concept you have come across in your research, first-person or otherwise. If you wish to," he says, but isn't it reasonable, this plausible deniability?

Molly Toombs

"I can only imagine where you came across these names." She was quiet, sounded as though she wanted to giggle a little at how ridiculous the situation was except it was actually rather unfunny. She was raptly listening to what Harald was about to say, but looking into her wine glass much like how Jack had been looking at his hands.

"Sure. Shoot. Let's see where we get."

Harald

"Ah. Caine?"

Molly Toombs

She blinked at him, surprised clearly.

Then she laughed out loud. Covered her mouth up with her hand, pressing fingers over her lips to muffle the sound, and laughed. She didn't sway or wobble or toss her head when she did this, though. One moderate glass of wine plus a sip or two wasn't nearly enough to make her tipsy enough to have to worry about falling off her balcony. She was just fine where she was.

"Oh my god, I thought you meant--..." She shook her head, got her laughter under control, and cleared her throat. "I thought you meant ones that are around here. Like, in the city."

She sounded very relieved that he didn't.

"Caine was the first vampire," she told him. "It's debatable how he came to be. God may or may not have been involved."

Harald

[pause pause!]

Harald

Harald doesn't look sheepish, but he rarely looks sheepish. Just bemused, or astonished, or surprised, and he looks a little surprised now, smiling that surprised smile of his, the one that makes his thick eyebrow crawl up, makes his mouth smaller somehow. "Ah, no. You didn't want to talk about those specifics, so I thought..." He nods, this time a nod she is oh so familiar with. Nod of somebody agreeing with a point, or acknowledging a point, ah, yes, that's correct.

"Brujah?" he says next.

Molly Toombs

[Intelligence 3 + Occult 3]

Dice: 6 d10 TN6 (1, 5, 6, 7, 8, 8) ( success x 4 )

Molly Toombs

He smiled to her, surprised by what she'd thought he was leading into. He thought she didn't want to talk about the specifics. "Yeah, you're right," she told him quietly, nodded, and looked down into her wine glass. Took a sip.

Brujah, was the next word. Molly pondered for a moment, looked as though she was searching for the answer to a pop quiz (that's kind of what this was, though, wasn't it? or perhaps a test that made up much more of her grade than just that alone). Like someone on stage recalling how to spell a word that was provided at the spelling bee.

Then, she looked like she figured out the answer. The way her eyebrows lifted then relaxed right away, that was realization and then contentment. She didn't have to search her brain anymore, she had the answer.

"It's a type of witch, sort of. It implies a dark or violent or bad kind of magic. Kind of a definition more than an actual thing, though -- like, an old word."

Another small sip.

Harald

Jacky nods. Another Learning Things nod, another Things to be Learned nod. Acknowledgment and agreement. That is what a bruja is. He watches her when her voice is quiet when she looks down at her wine and perhaps she sees herself in it or in the glass. Jacky doesn't see himself anywhere. "Yes, ah, there are a number of interesting points to be made for a bruja as opposed to a - ah, or rather, for bruixeria as opposed to fetilleria, and how fetilleria relates to the breaking of ikons that was so prevalent in…" He clears his throat. "But Brujah. I have discovered that it is also what a tribe of Vampires call themselves. The Brujah are cursed with a violent temper or so I hear. 'Even though they be as gentle as a lamb, a thorn will prick them and they will savage the flock and afterward feel regret until the night comes they have savaged their regret.'" He sounds as if he is quoting.

Molly Toombs

Jack knows by now that Molly pays attention when someone is explaining something. She cherishes information like misers love their gold. Whenever it's offered up she is upon it like a dry-throated man upon water. Even with a glass and a quarter of red wine warming her belly and veins, Molly was quiet and attentive while he spoke. She looked at the homely Harald face and listened.

It's clear she's surprised when he continues on to explain that it is a tribe of Vampires as well as an old word for bad magic. She blinked eyes that were only just starting to try and work on an intoxicated glaze (but she's still plenty alert, be assure, for now) and tipped her head a little to the side.

Now studious of the man of affections she had but didn't understand.

"...You're pretty well informed, Jacky. I didn't realize you were in this deep."

Molly Toombs

[Perception 3 + Empathy 2: How do you react when called out, Jack?]

Dice: 5 d10 TN6 (2, 7, 8, 8, 10) ( success x 4 )

Harald

[Manipulation + Subterfuge. + Specialty. -1 diff, you're my thrall. COULD I IF I WAS GONNA?]

Dice: 7 d10 TN5 (1, 2, 5, 5, 7, 10, 10) ( success x 5 )

Harald

[7.]

Harald

He looks uncomfortable and perhaps a touch sad. Jack. Nobody at all. Nobody whose true face Molly wants to see. Nobody who shouldn't want his reflection back. Should think its loss a boon. The Brujah are cursed with a fury. Nobody's curse is more obvious to the eye or it would be if Nobody were Nobody you ever saw direct. Nobody who's Jack: gentleman of many masks. No; that is certainly a touch of sorrow, although it is important to know that the sorrow isn't really mingled with personal regret. He's in deep, and there's something in that which makes him sad. But he doesn't seem to regret it, per se.

"Hmm. As you know, when one is in deep, one doesn't necessarily call for help, 'lest other people find themselves wading out and mired. But I'm at - " he pauses, frowns. "I'm at peace with what I know, or will be as soon as I know more. I don't have Them approaching me on the street, thankfully. I'd be at a disadvantage if someone approached me while I was just walking!" There's some force, there, too, Jack whose words are honeyed, but who seems quite definite on that point, like he's thought about what he's going to do the day (or night) he is approached and isn't frightened but is wary of it.

Jack. He's almost a Master of the Art of Obfuscate. Anybody who approaches him while he's out and about would need be powerful, wouldn't they? Anybody who broke through saw clear through his most potent of Knacks what would that mean another Hag maybe or a Warlock oh yes the Warlocks they're to worry about aren't they. And Dragons. Dragons can see through Obfuscate sometimes, with their sharp, fire-etched eyes, their lairs of flesh and blood dripping living untwisted unshaped.

He sighs. Then smiles, faintly, maybe teasing - lick of humour. "Surely you don't think you're the only one who's ever - ? Do you want to keep, ah, playing?"

Molly Toombs

...if someone approached me while I was just walking!

Molly flinched just the smallest bit at the mention. He spoke the words with humor, at how impossible they were. Molly just thought about how that was exactly how things worked out for her. How she got here. Somebody approaching her in the street, and it just kept on happening. A hand lifted to rub at the back of her head, and then down to the back of her neck. She took a moment to let a thumb and knuckle try to double-team a knot in her muscles, and did this while she tried to cover up the flinch and the thought by latching on to his last question instead.

"No. No, I don't suppose I am."

She paused, thoughtful, and sipped at her wine. Then she turned and set the glass delicately on the thick wood of the very dense, very sturdy railing that was built into the balcony. Her hands found the railing instead, hooked at the heels so her elbows were crooked back and her fingers were curled around the front of the railing on either side of her hips.

"I'm just not sure how very much I want to start networking with other people in the know."

Do you want to keep playing?

"Sure." She says 'sure', but there's a certain gleam about her eye and her teeth when she says the word. She is very much interested in knowing what else he knows.

Molly Toombs

[Perception 3 + Empathy 2]

Dice: 5 d10 TN6 (3, 3, 5, 8, 10) ( success x 2 )

Harald

[Manip + Subt, no specialty this time though.]

Dice: 7 d10 TN5 (2, 3, 3, 5, 6, 9, 10) ( success x 4 )

Harald

"The Sabbat?"

His interest sharpens, but Jack tries to keep that hidden. Shifts to get more comfortable on the chair, leaning forward with his elbows on his knees, looking up at Molly so damned earnestly. It's the same earnest gravity he treats all discussions of the supernatural, though. He doesn't seem to have changed his attitude now that they're not discussing hypotheticals as they have at bookstores and coffee shops.

Molly Toombs

Jacky was an inquisitive man. That he treated actual supernatural incidents with the same scholarly curiosity and interest that he did when Molly and he were both parrying, dancing, playing at speaking hypothetical when so much of that hypothetical was (for Molly at least) still rooted in what she knew.

The next word had her clenching her jaw, but not for anger or anything quite so sharp or negative. It's consternation, more like. As though she could chew on whatever conflict she had with that word and the whole concept and structure that surrounded it.

After the same thoughtful (slightly warm-tipsy) pause that she had before, she said:

"The Church." She was going to leave it there, but then expounded, because she loved this Jack for some reason. "One of two main forces in that whole social structure. Like the English and the French of old times. ....Or the Christians and the people of Islam, I suppose."

Harald

He nods a couple of times, quickly and to the point. "That's in keeping with... well, my impression of the - " a pause. He was going to say 'them,' but then seems to recall that they're just giving impressions of the words for plausible deniability later on. He doesn't look sheepish or hang-dog, but he does look like, oh, whoops, was getting too enthusiastic, and he rubs the back of his neck, then gives a quick shake of his head. "Apologies. What I've gathered seems to support that, but my impression of the word and... ah, it is Spanish Inquisition, the persecution of the Jews in Spain, and what witches were accused of doing at their sabbaths."

Molly Toombs

"Who's persecuting who, though?"

Molly's eyebrows raised. She'd heard it put one way. She was curious to see where Jack stood on the matter. Apparently even at the low levels of this war, you become aware of lines drawn in the sand.

Harald

He rubs his forehead. "Do you know... ah, this is cheating, skipping ahead in our game, but if the Sabbat is the Church is the other main force also a Church?"

He doesn't sound like he's avoiding answering, just playing it careful, or looking for something he can expound on.

Molly Toombs

"Another church?" She frowned, but not because she was upset by the information. It was the kind of face that you made when what you were being told conflicted with what you already thought to be true. A 'wait a minute', if you will.

She still leaned back against the railing, apparently quite comfortable there for the time being. She did seem like the kind of girl that would take her coffee with a book and a sweatshirt on her balcony, she probably spent a lot of time out here.

"I was told it's more like Church versus State."

Harald

He is frowning, too, but as with Molly, it is not a frown of upset, but a frown of thoughtfulness. It's still a nice night; the darkness at Molly's back is almost a friendly darkness, softened as it is by Denver at night. Lit-up, illuminated; mankind's glory is its ability to light up the dark. Some dark. Doesn't last in the dark world, that kind've light, though it's still good to see.

"Which side is the rebel side?" he muses, aloud. "In film, the rebel side is often to the good; it has the idealists, or had it. But in reality, doesn't it go both ways? I believe the persecution probably goes both ways. The State. Is it a decadent state or is it a, ah, state that looks upon the well-being of its peoples and land?"

"I find the idea of reasoning with a bureaucrat more comforting than reasoning with a faithful... priest... I will say."

A faint grimace-smile because it's a strange turn the conversation has taken.

Molly Toombs

"Given that it's a State of vampires, I'm pretty sure that it's nothing but decadence." Molly wrinkled her nose, frowning at the thought of a court of the Undead. She didn't stay there in her mind for very long. The idea was surreal and scary and the gaps of knowledge she had were filled with things from books and media that she was pretty sure weren't true anyways.

He wanted to know which side was the rebel side, and again she was thoughtful.

"I don't think either is a rebel. I think they're both very old, and have their roots down very very deep in history. They're probably one as old as the other, and have been disagreeing for as long as one has known about the other." She reached for her wine glass. She sounded like she was musing now. The red alcohol was swirled lightly, absently.

"I've met a Bureaucrat. And I've met a Priest." She adopts the terms and puts capital letters on them. Turns them to titles for people she is speaking of, people that she won't give the names of (but if that glass of wine were finished, perhaps, perhaps she could be loosened). Was looking down while recalling and surmising.

"I don't know about reasoning with them. It's very difficult to reason when I have no leverage to begin with. I just need to find my way out with my neck a lot of the time."

But she was learning reason with the Priest.

Harald

He blinks at that and Molly, tipsy Molly, Molly who has had a bad week, whose month is going to get worse, whose April is not going to start out well - well she can perhaps see the surprised tension in Jacky's body. Unfortunate choice of words: find my way out with my neck while talking about vampires.

But then Molly is also looking down. The surprised tension will be waiting, while he tries to read her. Has she been blood-dolling herself out? Jack. He's concerned, he is. "I, ah, er, I," while he regains his equilibrium.

Clears his throat. Dolorous eyes, but she doesn't seem to mean that. Probably not. Concerned. "Perhaps they were the same thing once? Historically there seems to have been a period when all mankind's kingdoms were theocracies. What were they like? The Bureaucrat and the Priest that you've met. Very different from one another?"

Molly Toombs

Her choice of words was intentional, but she didn't consider that it may strike concern within the man who faked his pulse and his breath and pushed warmth into his skin and hands so that he could fool this Molly and keep what wool was left over her eyes. At least enough to shield them from the Truth of him. She didn't think he would consider that she was volunteering herself as food. To think of it, there was no way for him to know whether she's ever been bitten or not. He probably wasn't sure how long she's been wrapped up in this exactly either.

She caught the concerned look on his face and frowned sympathetically, almost apologetically. She was sorry for worrying him. She pushed herself away from the railing and crossed the small distance of the balcony to sit down in the chair beside him, the one she'd been in before. The wine glass came with, but it was hastily set and left for now on the table between chairs.

She turned to face him, legs aimed toward his chair rather than out into the balcony's middle. Leaned forward but didn't reach out to or hold onto him. Kept her hands folded together in front of her between her knees instead.

"I don't know any of that." She told him simply. Something about how she said it suggested that she wasn't in the mood to weave from her own musings and imagination the potential origins of vampire society. Not now, not tonight. He did want to know about the Bureaucrat and the Priest, though.

"The Bureaucrat I haven't seen much. Thrice, specifically, but not recently. He is... very business-like. Well dressed, well spoken, meticulous about how he moves, all of that. But he's... planning. Plotting, selling some kind of an idea, I think. He was making plans for me the second I didn't run away.

"The Priest--...," but she stopped all at once, as though tripping, suddenly remembering something. She almost flinched physically, but just stilled and squeezed her hands together and suddenly dropped her eyes to the side. Cursing to herself silently in her own mind. Then she licked her lips and looked down at her thumbs and apologized. "I'm not talking about. I'm sorry."

Harald

[What's up, Molly? Percept + Empathy. Did this Priest dude do something to scare you/why do you feel less up to describing him vaguely?]

Dice: 6 d10 TN6 (3, 5, 5, 6, 7, 10) ( success x 3 )

Molly Toombs

What Molly feels, how she's holding herself and how her mouth presses uncomfortable and apologetic, how her shoulders are rounded and her hands are between her knees and how she's just rounded in on herself, this all speaks to Jack. He can read her, he's learning to be pretty good with it.

It was an odd network of things, what she associated with this Priest, what she showed when she reeled back and clammed up. She was scared, yes, but more of consequences and actions surrounding The Priest than of The Priest himself. At least not in any kind of a personal sense. She wasn't worried he would harm her necessarily, but she was scared of repercussions for speaking of him.

Another piece of it, though, is protective. That can't be denied.

And she is sincerely apologetic that she's keeping this from Jack, but resolved none the less.

Harald

He is watching her carefully, because her assocation with the Sabbat is of particular interest to him, isn't it? He is watching her carefully because she is a person, and people are not as easy as animals to speak to; people one needs to pay attention to, people have hearts in a way that cats do not, in a way that birds do not, in a way that owls don't even pretend to, as there is no such thing as an owl. Owls are just a trick. Owls are just demons. They're tricks played on the world by who knows what. There's so much out there playing tricks.

He could probably push. He could push, and get her to admit this or that. Get her to give it up, but why? Jack. He doesn't push. He doesn't feel like he must hurry, though what he sees gives him something to consider.

So he is frowning, that hasn't changed. Troubled, concerned; that also hasn't changed. "At least, ah, there was no way to tell that they were on different sides by speaking to them?" Jacky. He always wants to catalogue.

There is a brief pause; he shifts restively in the seat, having turned his knees again toward Molly, not toward the railing. "It sounds as if... If you do have sympathies they would be with the Church?"

Is that what I should do, Molly?

[Manip + Subt. -1 diff. Specialty!]

Dice: 7 d10 TN5 (1, 3, 4, 5, 5, 7, 7) ( success x 4 )

Molly Toombs

[Perception + Subterfuge]

Dice: 5 d10 TN6 (1, 6, 6, 6, 8) ( success x 4 )

Harald

Jack. He asks her that question and it's got one thing attached to it. Is that what I should do? But there's also something he's keeping close to his chest. He said he'd feel more comfortable trying to reason with a Bureaucrat than a Priest (fanatic), and that might be it. Might.

Molly Toombs

Jack suggested that she didn't know if the two were on different sides. She shrugged and nodded her head-- that was a true point. She would concede that to him.

The next, though, his asking where her sympathies were, had her looking at him with genuine concern. He seemed to be asking her for direction. Made it seem as though he was willing to hear her out if she were to tell him 'yes' and explain to him that it was a good idea. She did no such thing, though. Made no effort to convince him to defect to a side that was certainly not his.

Of course, there is something else there, something she catches flickering that he's clearly trying to keep to himself and not share with her. For love and respect of the man that bloomed quickly over a span of some months, she said nothing. But a part of her knew that he would prefer the Bureaucrat over the Priest for reasons unspoken. They would remain that way, for the time being.

He turned his knees to her, and she smiled a somewhat sad kind of smile and shook her head.

"I'm trying very, very hard not to take sides. I won't unless I absolutely have to in order to keep myself alive." Now she was looking up at him again. Back to his face. That sad smile still clinging there a little, but fading as conversation continued past that moment. "It's not my war. They're two factions of men and women that lost something and now they live too long and get bored and do as they please. I don't have an easy time feeling sympathetic for one or the other."

She could have alliances here and there, to and fro, but she was waving no flags. Not even ones of sympathy.

Harald

"Molly," he says, and Jacky is not a tender young man. Not the Jacky she knows. There are tender Jacks, not this one, no. He's lucky. He's fortunate. He's brave, and he's concerned, and he's stalwart. He's smart, too, or seems so; shrewd. Enthusiastic. He's good with animals; knows just how to charm them, doesn't he. Molly isn't an animal, but he knows how to charm people, too, though he doesn't seem like he'd be a charmer. That's the hallmark of a great one: isn't it? Jacky, he is earnest and he is grave and he is on a quest. But though he is not a tender young man, there is something of tenderness when he says her name; something that seems affectionate. He doesn't dwell on it.

He braces his hands on his thighs, grimacing before he hauls himself up. Long lopestery lank of him, holds out a hand to help her if she'd like.

"I have an easy time feeling sympathetic for both," he muses. "But, ah, my sympathies ... That will lie with those who are the most concerned with the well-being of humanity, if any of them are. Those who the most concerned with..."

He grins, sudden and sweet. "This will, ah, be a circular discussion again, won't it? Why don't we take a break and watch some TV? It's getting cold out here."

Molly Toombs

He spoke her name with a catch of some kind of tenderness, though he himself wasn't what she would necessarily describe as such. She wouldn't ever call him 'tough', no, but he was unswerving. Perseverance was something she noticed in this man, and it was a quality easy to respect. One of many things she was seeing past the strange eye and bad teeth and impossible cartoon-ish tufts of body hair for eyebrows and backs of hands. The blood that would sometimes ever-so-slightly find its way into her drinks helped pull the curtains back on that.

He rose to his feet, and Molly's chin tipped and neck craned to follow, so she could still look up the length of him to his face. Eyes flickered to the hand that was offered, and the smile grew less sad. She accepted the hand as it was offered and what help he'd give to bring her back up to her feet.

She was listening along with his thoughts about sympathies, but he cut himself off and offered that they go back inside to watch something on her television. She chuckled and nodded her head in agreement, then tucked herself to his side to wrap one arm around his skinny middle for a hug.

"Do let's, I could stand a distraction. You know, I've never seen Game of Thrones?"

Harald

Before they go inside, he does look at her. Meets her eyes, and says, "Do you feel at all better?"

They got onto this conversation because he asked her what was troubling her, although she'd called him over to unburden herself perhaps -- at least distract herself -- from the sudden sensation of being in over her head, crushing down, drowning.

Then: that sweet grin again which is This Face's hallmark. "A friend of mine was very insistent I watch the TV Show. She said it reminded her of her work, which I now take to be very exciting..."

Molly Toombs

They'd paused for Jacky to look down at Molly and ask intently if she feels better. She blinked at him, a little surprised by the question, but the surprise melted away quickly to warmth. She felt pretty lucky to have him around, that he was willing to come over on the same night. Unaware of what he was taking away from their conversation on her balcony back to wherever it was he laid his head to rest.

"Honestly, no. There is no 'all better' for this. But I do feel better."

Beat.

"Thank you." And then. "Let's go in."

She'd remember to snag her wine last second on their way through the door.

Galliards Out and About

Sora

[dex+performance, she's gotta get it out've her system of someone is going to kill her]

Dice: 6 d10 TN6 (1, 1, 3, 4, 6, 6) ( success x 2 )

Sora

[whatever Sora shut up you're extending that shit]

Dice: 6 d10 TN6 (2, 4, 5, 6, 6, 6) ( success x 3 )

Sora

It's a nice day for pedestrians to be wandering the Mall. They roam from the Tilted Kilt to the clock tower, to Good Times and to the movie theater, most of them in light jackets or at the very least long-sleeves. It's nice and mostly sunny but there's a wind that threatens to blow everything over.

Despite this, there is one person out in jeans and a t-shirt, its sleeves rolled up to her shoulders to reveal the runes tattooed into her upper arms. Sora Lundgren has an assortment of buckets in front of her, because she had an itch and she'll do whatever it takes to scratch it, preferably before those living in Cold Crescent threaten to throw her out on the streets.

She is baning on those upturned buckets, using an old pair of drum sticks to hammer out a lively rythm. There's a blanket laid out before her makeshift kit, held down with rocks at the four corners, with a smattering of coins spread across it.

There's not a lot. People are nervous about her for some reason. Is it the eye patch which covers her right eye? Is it the Rage?

Probably it's the Rage.

She plays anyway because the money is just an added bonus, something to get her a sandwich later when she's ready to eat.

North

Most Garou don't really care much for the dogs in a city and they especially don't really care for the rats. It's probably that human part of them that wants no part of the vermin or strays. The Bone Gnawers being the exception to this. The dogs are their voice among a city full of human beings that want no part of howling wolves in their darkened corridors and lonely streets. The rats are their eyes when they are kept to just the dull vision of man. So Sora went to bang on her buckets and North went to see a man about a dog - or three. He feeds them whatever treats he can get his hands on even if his own belly growls because he doesn't really worry about food. Yes, his Rage is a curse but there's something sexual in that violent disposition that when turned on women can't deny. Thankfully, the majority of women are caretakers by nature and they gladly feed him. So, he doesn't complain.

His approach to Sora is a slow one. He watches her from a distance, watches the skirting band of humans who think about tossing money at her but are too wary to get too close. His Rage would only exacerbate their insecurity and uneasy so he waits until she stops before he crosses the space between them. His backpack is slung over one shoulder and he looks just about the same as he has every day since they met. His hair on top is golden brown and a little too long, the sides cut short. The beard is present, so are the tattoos. His off white thermal shirt hides the majority of the ink however, and his loose fitting jeans fall into and around loosely lacked boots.

"Not bad." Says North with a squinting of one eye.

Sora

If North widens his gaze, he'll find that it's not just the women of the city who will see that his stomach doesn't stay empty for long. Particularly since he spends at least some time in the Cold Crescent building with Sora. The fridges there stay more or less stocked by whoever's signed up for the store runs. This is a hospitality that Sora glady takes advantage of, and thoroughly intends to repay at some point, soon as she can.

Part of that repayment is not leaning too heavily on that generosity, hence the playing now. Or rather, hence one small reason for the playing.

And oh how she plays. She loves this, making rhythms with sticks, her fingers, her feet, her body. She loves finding them in the world and moving to them, and seeing if she can get others to move with them, too. But right now she has excess energy she needs to burn off. Still. The sweat that soaks through the back of her t-shirt and drips from her temples despite her long hair being pulled up is sign enough that she's been at this for a while.

She finishes finally with a quick, pounding flurry of beats and looks around. Some people look at her, a lovely woman with a single bright blue eye that dances with a barely bridled spirit that can't help but infuse those around them. It's insidious, infectious, it seeps into their skin and drives into their heart, making it pound to the echo of her drumming. She grins to a few without flashing her teeth because she knows. Only so many people can handle that smile coupled with that Rage and not think she's about to beat them to death with her own drum sticks.

Not bad.

She looks up, sees who it is, and grins fully for a moment before shrugging her shoulders. "Yeah, well. I'm no Dave Grohl, but I never will be if I don't practice." She is seated on an upturned bucket - there really aren't that many, one for a seat and four to play - her own pack snuggled up against the dirty white plastic supporting her. "What're you up to today?"

North

He has taken very little by way of food from Cold Crescent. He doesn't want to feel indebted or obligated and his pockets aren't the kind that can afford to buy him a dinner daily, let alone restock the food he could easily eat to fill up. But he does bring things in. If he takes one thing he brings twenty back. It's just the way that he is. A lean man, with tensile strength in all of his muscles, he relaxes back a little and has a good look at her buckets and the sticks and then her face and the eye patch.

"I had to make a trip to Lakewood really quick. You ever been over that way?" He asks her with a hand adjusting the strap of his backpack slung over one shoulder.

David

Buy a bigger notepad.

That was actually written on the dismal little shopping list that David clutched in a massive paw of a hand. The piece of paper was from a $0.39 pocket-sized notepad and was dwarfed by the tall, broad, and somehow still gangly man's mit. He had to adjust his glasses just to read his own writing.

David didn't push the crowd away like a force when he walked on the sidewalk, but people still naturally deferred to him if there were any potential conflict in course upcoming. He didn't have to pay attention to where he was going because everybody else did, but this was equally on account of his impossible to overlook appearance (tall, somewhat ambiguous but definitely probably African-American?, big dense glasses and frames) and the steady thrum of Rage under the surface. It made him seem always aggravated. Not ready to snap, not necessarily, but he seemed like the kind of guy that didn't have much give. Probably better to just leave him alone and not get stepped on.

He needed to buy socks and underwear. The essentials. The kinds of things that you wore through quickly working a daytime labor job out in the sun sweating into everything you were wearing.

God damnit, he sighed inwardly, silently to himself and looked to the sky. I hate my job so much. It was demeaning, really, when he thought about it (and he had plenty of time to do so).

Up ahead, there was a one-eyed woman banging on drums, a bearded man with apparent tattoos even while wearing long sleeves speaking with her. He didn't know them. The beat was decent, though, and the woman was interesting.

He wasn't good at recognizing his own kind from a distance yet, but he was keeping his eye on them, open and curious while he came to pass them by.

Sora

Sora starts the business of putting her things away. She feels good, rested despite having just expended a lot of energy, pouring herself into her performance. She's done what she came out here to do, so it's time to let someone else take her place. A living statue perhaps, or someone playing guitar. The vagrant and busking landscape of the Mall is a thing that shifts constantly. Sora's Rage will be forgotten when this space fills with someone else's creative energies.

For the Garou, however, her purity of breeding will remain burned in the senses. She has the bearing of a great hero of Fenris' strong bloodlines. Something about the line of her nose or the point of her chin, the light in that single bright blue eye.

An eye that is for a moment lifted up to North before looking away as she flips over the buckets she was using to play. One fits into the other into the other, so that she's left with one thing to carry and a pack to shrug onto a pair of strong shoulders. She is tall, but still several inches shorter than her companion, and much shorter than the man-in-glasses approaching them. If Sora had been at any of Denver's moots previously surely she'd recognize David Lundgren, but she hasn't, so she doesn't.

Her time is coming, though. There is a moot in a few weeks and Sora has challenged and claimed Talesinger in a strong fist, a temporary title that she none the less grips tightly.

"Not yet." Truth is, she hasn't been around the city much. "You should've told me, I would've gone with you." She nudges him in the arm, grinning still. "Unless it was a private matter." That grin widens, "Then I still would've wanted to go." David comes to pass them by and she looks over at him, the stranger who doesn't stand out to her much, gives him a nod if he's not being terribly covert about watching them.

Or if he wanders into her blind spot. Let's find out, shall we?

[percept+alert, diff +1]

Dice: 4 d10 TN7 (2, 7, 9, 10) ( success x 3 )

North

He is still getting used to these things: the brushing of elbows or shimmy of one body against the next...the prodding and exploration that come with testing the waters with would be packmates. It's obvious he doesn't mind because he leans into the nudge and flashes Sora a lips stretched wide grin that lends him a mischievous air."Had to go see about some dogs." There's a nod that accompanies the statement, reassuring her that he said 'dogs'. "Next time, I'll bring you." His Rage is wore thing, exasperated from whatever activities he's been taking part in previously before coming here and sniffing out Sora. It is a quiet hum of vibration beneath his heated, tattooed skin that doesn't over power but almost compliments him.David slips by him and he pays him only as much attention as the woman with the patch does.(percept + alert too, just let's not fail this time North)

Dice: 4 d10 TN6 (2, 3, 7, 8) ( success x 2 )

North

(dammit formatting!)

David

[Recognize Garou: Perception 3 + Primal Urge 2]

Dice: 5 d10 TN6 (4, 6, 7, 9, 10) ( success x 4 )

David

The wolf that has been appearing at the Moots really doesn't rest in his man skin. He seems to have it in his head that there is some kind of formality dictating he should appear as a Wolf instead, respect for the landscape or Wild or something like that. But any who attended would have, by now, seen his distinct mop of hair and large boxy shoulders under a heavy peacoat as he shuffled his way down the trails back to a forgettable used car to drive away.

Today he was dressed in a light gray jacket with a white shirt underneath it. His jeans fit him well. All of it was older, though, clearly worn and washed many a time over. He looked like a man who wanted to dress well but could only afford secondhand. Despite the fact that his glasses were almost overwhelming on his face and his hair wasn't amusing anybody with what it was trying to pull off at its length today.

Then the two that he'd noticed had noticed him back, were glancing in his direction. When they turned, there was something particular about the line of the woman's jaw, the eagle-sharp cast of her one good eye (unless the eyepatch was there as a ploy for some unfathomable reason), the height and cut of her stance that struck home. The man beside her was clearly beast within the skin of a man. It was almost as though instead of having tattoos the markings were ink hackles, quivering and ready to rise. The pair were both Garou, that was undeniable.

He nearly stopped walking for half of a second, his stride faltered but he caught himself before he stopped completely. When he recovered, it was to pull a smile that one would suppose is supposed to be friendly but he wasn't showing his teeth at all and it made it look nearly strained somehow. The shopping list was jammed into his coat pocket, let to crumble as it will, and the other hand lifted to hail the pair.

"Well hello, neighbors." This in a voice that didn't boom at all like you expected someone his size should boom. Low, but not big. Not loud.

Sora

[DO I KNOW WHAT YOU IS? I AM SUPER GOOD AT THIS YOU GUYS: percept+PU diff 6+1]

Dice: 2 d10 TN7 (3, 9) ( success x 1 )

Sora

It's the faltering step that causes Sora to look a little harder at the stranger. Something about the way he looks at them, at her, it speaks of a recognition. Sora's memory isn't perfect, but she's certain something about him would ring familiar if they'd ever met before. She studies him, head tilted curiously as she continues to listen to North, her blue eye wide and inquisitive. Is that-

Wait, what?

She looks at North, attention grabbed. "Did you say dogs?" Yes, yes he did. She lets out a chuckle and says, "It's probably best I didn't go with, then."

And then he's there, the stranger who has an edge to him, something that Sora picks up on faintly. That thrum, that low hum of Rage. He almost stops completely but doesn't.

"Hi," Sora greets, and her voice doesn't boom but it feels like it has the capacity to carry. If she wanted she could make herself heard all the way down the street, same as she'd made her drums heard practically to Union Station.

"I think I'd remember you, neighbor, but then I'm pretty new to the neighborhood myself," she says, latching onto David's code (is it a code?).

Tamsin

16th Street Mall. Sidewalk. Shoppers. Street traffick.

Tamsin's busked here before with Hector. Tamsin's busked here before on her own. Tamsin's does have an instrument case strapped to her back so maybe when she sees Sora packing up her rather prime spot she'll slip herself in because there's never enough cash to go around. The case is too little to be the guitar, so it's probably the new ukulele. Around her throat is a black scarf with pink skulls. Clamped on her head is a felt fisherman's hat. Her shoulder-length hair is in two low pig tails. Her jacket's a size too big and it's green and covered in patches. Her jeans are jeans there's not much to say about jeans except they fit all right and they're black too. Under the jacket is her David Bowie Labyrinth teeshirt.

And she simmers, Galliard does, all contained-Rage, low-ebb, the sound of embers burning in the dark - look at her, fey-girl, quiet-thing, bloody rites on tors in moonlit woods where this world and another coalesce into Faërie, turn your head right and the breeze says stag's stag's stag's stag's the only one with a crown you know if you know how to know these things.

Half-closed eyes of the 'just woke up in the afternoon why doesn't that feel the same as waking up in the morning.'

Half-closed eyes as she squints at that 'fro over by the other busker who [wait stop- stop stop stop; drag, held, fixed- don't you see the heroes, shining, all their tales- bright and dark and in between?] is packing up.

That's what's his name. What's his name who she remembers more as a wolf. What's his fucking name, Tamsin, how could you forget, how could you not fucking remember, you're the worst, spiral into darkness, perfectionist perfection--

Oh. "Hey what's the Word!" she calls out, cupping her hands around her mouth.

To her fellow busker? To Final Word? To North? ONLY TIME and their reactions will tell.

North

"Yeah dogs." He says in a way that might sound incredulous though not quite too offended. He laughs though, light hearted and easy as if Sora said something that sought out his funny bone and tickled it. Greyish eyes are lowered on the Get of Fenris he was walking with and he lets loose an almost exasperated sigh. "You gotta think outside the box. Might be a big story there just waiting to be told." His eyes drop to follow David but he doesn't speak to the stranger with the massive head of hair. There is a nod though, polite enough and respectful, but no words.

Until Tamsin calls out, words carrying to keen ears the sound bringing up his chin and flaring his nostrils to scent the air. Car exhaust...perfume...sweat...food...plastic and wood...and then something that was like a long forgotten memory, a name that hangs phantom-like on the tip of your tongue tempting and teasing you with the promise of what it is, but never giving it up. He licks his lips, tastes the air and says quietly,

No way, and by then his body has angled toward the Galliard in the Labyrinth tee and pig tails, his eyes glinting curiously.

David

"Well, not that kind of neighbor. I'm not actually crashing in the barracks or anything." His answer for Sora is casual. The cadence to his voice is, the word choice and volume and all that. But he's still looking at Sora a little too heavily to be casual just yet. Maybe sizing her up a little. That's probably just habit built into him from fostering his way through the Get of Fenris tribe.

Not that they know what tribe he is. He sure doesn't look like a Get of Fenris, apart from being big.

North had nodded at him, and David looked to the Bone Gnawer, surveyed him curiously enough, and nodded as well.

Then: A two-cadence vocalization and 'Word'. It could have been his name. Well, his Name. His other name, at least. Either way, David reflexively lifted dark eyebrows up on his forehead in some amount of surprise and turned about to look back in Tamsin's direction. A quick-note taken of how North had looked across the way as well, but then David was squinting-squinting.

Recognizing Tamsin-- the petite Fianna that spoke up with him at the Moot. Lifting a large hand into the air above his head and waving across the way at her.

Sora

Sora lets out a huff of a laugh, smile broadening as she looks aslant of her wouldbe packbrother, that blue eye all alight with mirth and good humor. "Yes I look forward to the day I tell the story of how I scared all the dogs with my mighty presence." She lifts her hands as though to frame something, a marquee perhaps. "The Cautionary Tale of Bites, Muninn, and the Dogs." She nods her head, and then she tilts her head. Listening.

To David, yes, of course to David. Barracks, hm, yes. Barracks, dorms, the city place where Sora stays and North sometimes crashes.

But also to the sound of someone calling out. Someone calling out with the sense, the feel, the prescene of a Stag-child. Sora's hair is up, pulled up in a loose and haphazard knot on top of her head, so that those standing closest to her can see her human ears actually prick! Shift a fraction as she turns to look at the other girl, fey Galliard, follower of a foggy totem. Not that Sora knows these things on sight.

Oh, oh Tamsin. Oh Tamsin oh Tamsin oh Tamsin. You are shortly in for a surprise.

For the moment Sora is curious. She does not search out the girl's bearing to look for the Rage they share, the ability to shift that they all carry in their blood and bones. She looks from Tamsin with her Stag's blood and then she looks at David. Oh yes David.

"I've a room in the barracks," she says, continuing the code-talk. Breaking it, maybe. Even tilts her head a little in the direction she knows that great, shining black wedge-shaped building to be. Then she shifts, setting down her collection of buckets, within which is the rolled up blanket thing - coins and all. Straightening, she shifts the weight of her pack, settles it more comfortably on her shoulders. "I'm Sora. I left a map on the white board a few months ago."

Tamsin

David holds up a hand. Tamsin does too. Takes her hands away from her mouth the left one reaching over to her ukulele strap to hitch it up right hand the one in the air. There're rings on her fingers but they're not silver. They're resin and a hemp bracelet knotted around her wrist with multi-coloured beads and she cannot teleport so it still takes her a bit of time to make it across the pavement to Sora's corner. "Um," she says, on arrival, "A hand isn't a word." She smiles without showing her teeth; it's mischief. It's I-am-fucking-with-you OR AM I? It's-

It is North. The Galliard peers at him [she keeps wanting to look at Sora, coruscating Fenrir-thing, glaciers and long halls and fire in the sky; ancestral enmities but go back further and- think of the language and- ], biting the inside corner of her mouth, and her eyes are still very squinty. She opens them in a more regular way; aaaaaaaagh SUUUUNNNNNNSHHHHSHSHHHSSSS squints again. Then she puts her thumbs beneath them her index fingers on her eyelids and opens them that way; then she beams!

She'd probably go HEY or something but Sora's talking and Tamsin is quiet and serious more often than she is not and she likes to listen so instead of going HEYYYY she beams at the Ahroun and salutes a two-fingered what-up salute which turns into a 'fist bump please?' offer of a fist.

Then looks at the other Fenrir. The one who looks like a Fenrir and feels like a Fenrir.

"I heard you," she says, so seriously. "I heard you when you sang your hello and the rocks they sang back too and the sky did open up and widen because such was the grace of your voice; I was not speaking then or I would have come to find you. I'm Tamsin."

North

Faces he cannot place well, but scents are filed neatly away in some feral corner of his brain to be referenced when required. He knows Tamsin's scent and the way she speaks and her face isn't one he could easily forget even though he's forgotten more than his fair share of pretty ones. Before she makes it to their corner his long arms are crossed over a not quite barrel chest. This isn't a big bear of a man and David is more than likely bigger than he is. But his is the build of a body made for endurance and distance and the long fight. The last hurrah. Narrow and lean with a strength that surprises most that tangle up with him, North would look lanky to David probably. At least at first glance.

Tamsin wants a fist bump and she gets it, tattooed knuckles pressing light to her delicate ones in a friendly greeting. There had been introductions before he was waylaid by the face of his past he left behind so many miles back, so he does the appropriate thing and offers David a hand and his name.

"North."

North

I have to take care of something quickly...I will hurry back as soon as I can. Go on and post around me, please and thank you :) North will stand over to the side, or dig something shiny out of a bin. lol

brb

David

There's a flicker of interest in the mention of a map on the whiteboard. David had to think about that, and it showed in how his eyes went a little glassy behind already glass lenses, how he was clearly searching for a visual memory so his eyes went unfocused to not dilute the effort. He was trying to remember a map drawn on a whiteboard. It took him a second to remember the road map, the one printed on glossy brochure paper. With the stars. He was surprised by the Caern in Iowa-- he was so nearby but unaware of its existence. A statement to how many Garou there still were, how large their armies could still potentially spread.

Anyways

Tamsin joined them, and David's attention pulled back into this world. She was mentioning that a hand wasn't a word, and he looked a little confused, stared at his palm for a second, then jammed both of his hands into his coat pockets. "It is. Just not in the language you were expecting."

He shifted to the side, found himself standing next to North and glanced over to the other man. It was at this point that he was offered the Gnawer's hand to shake. David blinked, dislodged a hand from his pocket, and wrapped it around North's offered one.

To compare the two men: David was taller, and while most of it was hair some of it was build too. Only by a few inches, though, it wasn't very noticeable. His chest and shoulders were wider. He carried the frame of a man who had the potential to be huge, a beast really. His hands were large enough to indicate such. But his chest and core where the jacket and shirt sat close didn't show layers of muscle built up from life in battle. He was skinnier than what suited him ideally.

Still had a decent grip though. And fresh still-building-and-healing callouses on his palms. He was learning how to work. Those muscles would grow.

"David." A brief, conspiratorial glance about, then he leaned in and added in a lower tone: "Cliath. Judge. Get of Fenris." A cleared throat, and a deed name that one would have to stretch to imagine him living up to-- "Final Word."

He let go of North's hand and straightened up. The pair settled to just stand off to the side, mutual in their quiet and acceptance of one another's introductions and looking back to the ladies instead.

Sora

Sora looks at Tamsin curiously, head tilted, watching her. There is no shift on the part of this pure bred Fenrir woman to make it easier to take in these three with her one good eye, she has no qualms moving her head from side to side and back again to look at each person. Someone ends up in her blind spot sometimes because someone is always in her blind spot. Such is the way of things when you are the Eye of Muninn.

Hand is not a word? What?

"I knew a talesinger who lost her voice. A spirit came and took it away, locked it up and put in a box maybe, put that box on the top shelf. Something, somewhere. Anyway, she spoke with her hands. And more beautiful words you will never see than those said with Ghost Howl's expressive fingers." Grin. Two Galliards meet on the street, folks.

This Fianna girl heard her sing her hello to the sky, to the sept, to the Caern, to the mountains and on and on. Then her brows lift, sweeping things that rise like wings over an eye of blue ice and a dark patch of nothing that covers nothing, only a hole. If they look closely they can see the edges of scar tissue. It's frayed the bottom edge of her brow and the upper edge of her cheek.

That look happens because Tamsin says her name and really how many Tamsins can there be in one place? If they were over the sea, across the Pond, in the land of Fiann himself it might be different but they're not. The men go silent, watching the women, the gibbous moons meet.

"Tamsin?" Sora asks, voice lilting upward as her body leans toward the girl, excitement causing Sora to stand at full height, her chest expanding with a deep deep breath. "As in, Cinder Song? As in, Furious Lament?" And they can feel her spirit rising within her, pouring out and from her. Causing their hearts to pound a little harder. Infecting them. "As in, Celduin?!" And she takes a step forward, but stops herself, arms lifted like she's about to throw them around the other Galliard, wrap her up in that scent of the Fenrir, of her own skin and the sweat that is drying on its surface and in her clothes. But she doesn't. Because Sora knows Hector and she knows stories about Cinder Song Furious Lament, but she doesn't know Tamsin, girl with the hat, the braids the ukelele.

What comes next she says for David, because North knows her and would maybe call her sister, and Tamsin heard her howl her name. She grins at the other Fenrir. "Well met, cousin." Do they look like cousins? No, no they do not. "Sora, Eye of Muninn. We share a tribe and a rank but not a moon. Galliard."

Tamsin

The Fianna doesn't look gleeful when David examines his hand that expression of confusion a stamp on his face. Too easy, maybe is what she's thinking. Too easy, tucking that away like a present to herself, the corner of her mouth wanting to sly-turn up. Too easy so maybe she won't mess with David. Not the language she was expecting: "Fair point. Unsurprising."

Because he's a judge. Because he's fair. As they'll all soon know. Sora knew a talesinger who lost her voice. Tamsin listens with grave-eyed attention (grave-eyed, squinty-eyed, because she pulls the brim of her hat down again or adjusts it so the HSSSS sun doesn't get to her and she can look at them all without wanting to gouge her eyes out). Her weight goes up onto the balls of her feet and it's not QUITE a bounce but eeee eeee yayyy look a galliard she can swap parables with eee yes it is fucking on. "Yeah?" she says, prelude to something parable-y, but she is quite put off her stride by Sora's evident excitement.

If she were Tamsin-wolf right now, wolf-shape Fianna-thing, her ears would be pricked right up with alarm, her eyes bright, very still. As it is, humans blush. Fuuuuuck blushing. FUUUUUCK BLUSHING. Whatever, she's getting a magical sunburn, that's what she'd say aloud. Convincingly. Maybe. Anyway, she blushes a little and clears her throat and says, "Yes."

Sora introduces herself to David; Tamsin whispers to North, "you at Cold Crescent?" And at the end of the introduction, Tamsin looks between the Fenrir again, glances carefully at the street (this collection of wolves; they're avoided), and then says:

"Final Word. He did keep the bone at the circle; did act as Truthcatcher during the Cold Moon, Coldest Moon of a cold year; there we did decide on the course of plan which brought our tale to you, Eye of Muninn. And North, he's got the moon full-up and boiling in his heart, doesn't he? I once saw his teeth so gore-splattered there was more gore in his teeth than there was foe to bite; it was brave."

Okay, Tamsin. You are hung-over. Enough with the Fianna Galliarding. "Ummmmm, so Sora. Are you like, literally a drummer? You wanna um like meet up sometime for story swapping and if you're good, uh... Like, I could kind of use some percussion on this track..."

North

(back)

Sora

[i have to jet for home but bbiab!]

North

His head inclined toward David so he could catch the small but important whispers of rank and auspice and tribe. Hair bristles, those fine strands of blonde that run from the nape there at the back, down the curve and to a spine that doesn't care posture. His offered back in the same quiet measure: Bite's Back. Full Moon. Cliath. Bone Gnawer.

Fingers scratch at his beard which needs a good trim and when Tamsin tells about that one time with the blood and gore and gristle between front teeth he doesn't blush or lower his chin. He smiles wide and nods because he remembers too.

Yes, he's content to stay there with David. The humans can feel it, the danger inherent in all of them.

David

The woman had turned to him again, and David blinked owlishly at her from where he stood shoulder-nearby-shoulder with her potential packbrother. She was introducing herself. He listened-- she had a name that he would note for later. She was a Skald, and that explained plenty. He'd suspected as much, seeing so much of their shared tribe in her face and spine and seeing her playing street music. The pieces were easy to fit together.

"Well met," he agreed, the two words a formality learned and expressed and spoken as through drilled into him in the military. That's basically what living this life was, though, wasn't it?

Tamsin started speaking what she knew of him-- brought up the moot and he cleared his throat into a big fist and adjusted his glasses and scrubbed his scalp through his dense hair. "Ah, yeah, one and the same."

He looked like he wanted to hang around more. Socialize. Get to know some of these wolves-- they didn't seem so bad, not nearly so intense as the ones back in Minnesota, the ones that howled war-fog to welcome him into the Nation. The way that his weight rocked forward on his toes then back again to his heels, just a little, suggested he intended to stick around. He was clearly idling.

But then a shrill tone shrieked from his pocket-- the worst ringtone imaginable. God knows why it's on his phone (actually, it's so he doesn't miss it over the sound of tools and engines and other such ruckus at work, but no one here knew that), but he looks inconvenienced when he plucks the device (decked out in a heavy-duty case) from his coat pocket and checks it. Oh for the love of... his boss.

"I need to take this." He put it simply, showed the phone to everyone (as though they missed the awful noise it was making) but not long enough for them to read the display screen before he snatched it back. "I'm sure I'll be seeing you all around." An apologetic wave of long fingers, and the man had turned around and answered his phone, finally, everyone be thankful.

Shoulders up against the wind, he walked on his way while arguing with his boss whether or not his name was actually on the schedule for today, and if he was supposed to be in four hours ago then why didn't he call four fucking hours ago jesus.

David

[And I'm going to try and catch a cat nap before I need to hit the road in an hour. Thanks for playing you all!]

Tamsin

[Thank you! It was nice meeting David outside of a moot thread!]

North

(North will meet Sora back at the dorms and will hunt down Lady Tamsin for catching up soon. I, sadly, need to get ready for bed. Curse time zones! Thank you for the play!)

Tamsin

[But Jess will chill until Niko returns, like a badass. HI KAI.]

Sora

[dang it i just got here!!!]

Sora

Brows lift, grin lifts with it, turns into a smile. "Yes I-" pause because she is looking now for the source of that awful screch. If she were Godi perhaps she would wonder what wounded spirit was calling out to her now, but she is not. She is Skald. Talesinger. Odin's raven of memory, sent to gather tales and bring them back to the Homelands for the next go-round. She is looking for the source and maybe the story and she finds

a cell phone. She gives David a sympathetic look, not that she understands. She does not own a cell phone to call her away from meeting other Garou. But he seems reluctant - to leave them maybe? to take the call maybe? - and that she can sympathize with.

And then North is heading off as well, going back to Cold Crescent to occupy a room that is more Sora's than his but is theirs just the same. She offers the Gnawer a wave and a sharp grin, and then

Tamsin.

Tamsin wants to know if Sora is like, literally a drummer, and there is now space in which the Skald can answer.

"Yes." Grin. She reaches up a hand to sweep wisps of hair back from her angular face. "Though I do not, unfortunately, literally own a literal kit." She does not dip to retrieve her buckets that serve as her drums for now. This city feels like Fate and meeting North felt like Fate and so Sora is thinking that it is her Fate to stay here long enough to get a drum kit. Maybe a place of her own to put it in. Hopefully a place of her own to put it in.

"What kind of percussion?" she asks. "What kind of a song?" She is interested. Her feet have covered much ground over the last few months. It's been a long, long time since she shared a space with another wolf and longer since she could work with one. And a Galliard. A Fianna Galliard. Yes, Sora is interested.

Tamsin

[Hmmmmmmm. Play-play?]

Dice: 8 d10 TN6 (2, 2, 3, 4, 5, 6, 8, 10) ( success x 3 )

Tamsin

Tamsin waves to David. Tamsin: she is often so uncertain, too - not good enough, not good enough, not good enough! - that she feels a certain echo of kinship with the Fenrir who doesn't look like one. Then there's the Shadow Lord who feels like one. Such a strange meeting of Fenrir lineages here in Denver, something story-worthy in that perhaps. Tamsin: her eyes squint again because it's just easier and she hmms as she waves. Waves to North, too. Won't Hector be amused? Wonders where the sister is because isn't there a sister?

And then the Galliards are alone. At last.

"I'm not sure," she answers, all grave and earnest. "But I think it needs something, like … Um, here. I'll play you a few bars of the melody so you can get a feel, and..."

Tamsin, she is setting her case down now, unsnapping it, taking out the ornate ukulele gift, cradling it. The song isn't for a ukulele, but she will adapt it. Melody is melody, and for now it suits. Biting the inside of her mouth, she plays a song that is

a searching song, a longing song, a world's not as it should be song

a wandering melody, a melody that wanders, circles back, earnest and haunted simplicity

it's not quite a mourning song; it's a hunting song

a finding song; a question of a song, this song

that's the kind of song the song is.

Sora

[hm can Sora do a thing? let's go dex+perf +1 diff because she's never heard it before]

Dice: 6 d10 TN7 (1, 2, 2, 6, 9, 10) ( success x 2 )

Sora

Tamsin isn't sure what kind of percussion, or maybe she's not sure what kind of a song? Sora realizses that she's still leaning toward the Fianna, 'still' being relative. She leaned away when the boys wandered off their own ways, watching them go, but soon as the Galliards were alone she was back. Weight forward to the balls of her feet in a lean. Like she's drawn to Tamsin, or like she is always on the brink of something. Movement, bursting forward into a story or a tale or a song even. Sora can sing, see, but her passion is drumming. Drumming, for her anyway, is more physical than singing is. Singing can be, too, but it's just not the same. It's not the same at all.

She rocks back a little. Gives Tamsin her space again, space to pull out a ukelele and get ready to play a few bars of an unknown (to Sora) melody.

The Fenrir tilts her head, angles it to the side, then shifts so that one ear is pointed toward Tamsin. That blue eye of hers, so bright and piercing, softens as she listens to the melody, goes distant like a Godi's except it's not spirits she sees. It's melodies, ripples in the air, rhythms.

Not entirely without thought, she presses her palms to sturdy hips and pats. Pat-pat puh-pat. Testing out those rhythms that she sees and that she feels. Pressing them against that melody to see what works. Not quite there, not quite, no. But it's only her first time hearing it. She comes close but she's not quite there.

"Nice," she says, and for once her voice is low and quiet between them. Not even carrying to the humans who are trying to give them a wider berth. "I think I can work with that, definitely."

Tamsin

Musicians are a strange people. They're a People, really, a tribe in and of themselves, regardless of musical style. They're experimenters and explorers. They're testers of sound. They're testers of heart-string tugging, of emotion. Get a couple musicians in one place, especially if they're the creative kind, the kind who aren't just in it for the precision, for the mathematical exactitude of a harmony, and they'll start to talk shop. Maybe they'll sing, they'll swap their voices back and forth, or just start fitting disparate pieces togethr: melody, chords, bassline, another melody, riff, chorus, no, what about if we do this, no no what if instead of that we do - so this is normal. Troubador. This is how bards in the old days did it: how they still do it. Because Sora and Tamsin: they are bards, gibbous moon moon-dancers, singing down the moon when they've gotta, keeper of the histories that don't get written down and none of them get written down and it is quite a weight.

Sora drums against her hips. Tamsin listens, intently. Her head is canted a little to the side.

Raises her eyebrows, like- you want to try again? And then plays it through once more so that Sora can try something different.

Even so she says, either after or before, "Cool. Um. Really cool," shy, suddenly, again: "We've been after a drummer for fucking ever. Not for everything, but you know... Sometimes there's a need, and Jack, well, he was enthusiastic about the prospect but... And anyway, yeah."

"You challenged for Talesinger, didn't you? For this next Full Moon. The Eclipse. You wanna, um! Go somewhere," more private, unspoken, "to talk or something?"

Sora

Sora is learnéd in a number of languages, and Tamsin is learnéd in a few of her own, but for now they speak a language that is both universal and private. They speak in notes and beats. Nods, looks. Rhythm and melody and the harmonies Tamsin finds in the strings of her instrument.

You want to try again?

A nod, Yes, and so it goes. Tamsin playing and Sora finding the right percussive notes to accompany. She is loud, the Fenrir, she can be anyway. Tamsin heard her howl but didn't say where she was when she heard it. Could have been inside the Sept of Forgotten Questions, could have been a mile away on a mountain peak. Chances are she would've heard it regardless.

But Sora can also be quiet, and this song, this finding question of a song, it doesn't sound like it needs to be loud, not at first.

Then Tamsin gets all shy and Sora grins because Sora is almost always grinning. Waning Galliard and Waxing Galliard. One a dark thing, one a bright shining one. And yet one does not eclipse the other.

Tamsin, she says they've been after a drummer and Sora's smile widens and that eye of hers goes bright. Fate. Kismet. Something. Something put her in Hector's path and changed her own. Stopped its meandering and gave it a purpose. Brought her here. To a sept. To a pack. To a band. To a fucking-- No, no. Peace, Sora, peace.

She nods with enthusiasm, one sharp dip of her head. "Yeah," she did challenge for Talesinger for the next moot. The eclipse. The Eclipse. Sora is looking forward to it, she shines for it, becomes bright for the dark night even though it's still the middle of the day. Her grin becomes a happy thing, pleased and amused but really just happy. "Yeah I'd really like that. I'd really like that a lot. Do you mean like back to the Crescent?" Because there they can talk about an-ee-thing.

Tamsin

[AND THEN THEY WERE GALLIARDS]